Mostly Harmless

"So Long And Thanks For All The Fish"  by Douglas Adams (#4 in a trilogy in five parts that combines wit and intelligent writing) is over and done with so now I am on with "Mostly Harmless". "So Long And Thanks For All The Fish"  in my opinion seemed to lose its way but is the shortest book in the series, and it is by Douglas Adams so it is still an enjoyable read, but I am now on the final straight.

Seven Days In seemed to be grinding back down and for the last two months has had three thousand visits each month.

If you want to buy a book of my poetry there is one on the link below.

The music is "Vicious" from "Transformer" by Lou Reed one of my favourite songs of his and sort of appropriate as this post is only "Mostly Harmless"

I recently discovered that my American Amazon Author page has a feed from this blog which you can see here. It only shows on the .com site but not on others. C'est La Vie.

Mike Singleton - Vocal Stories

I am not sure if you are aware of my writing on Vocal but these are a few of my stories if you would like to sample them:

1. Barter Books - An Amazing Bookshop In A Railway Station In Alnwick
2. The Plagiaristic Poetry Series - Poems Taken From Random-Themed Lines
3. Another Raven - A Take On Edgar Allen Poe's "The Raven"
4. The Cleaner - An Autism-Focused Christmas Special
5. An Owl In A Towel - A Beautiful Book by Lesley and Cheryl
6. Three Reasons Why I Love Settle - Scaleber Force, The Hoffman Kiln and Castlebergh Crag
7. The Accidental Book - Helping a Great Vocal Friend Resulted In Me Publishing My First Book
8. Call Me Les - A Great Friend and An Amazing Writer

Colder

Although we have not had snow, temperature have been continually less than zero for more than a week now, meaning that snow has not melted and pavements are covered in frost.

The temperature has warmed a little and though there was a flurry of snow , it's now just continuous rain, and still cold.

The BBC has just stated it's going to be a dry day , but snow and rain in Scotland (for the Scotland being anywhere north of Watford)

Music wise I listened to a lot of Lou Reed the other day , a 5CD set featuring "New York" , "Songs For 'Drella" . "Magic and Loss" , "Set The Twilight Reeling" and "Ecstasy" , and every album is excellent , all far outstripping the David Bowie produced "Transformer" his breakthrough solo album and often listed has his peak.

These five albums prove that Lou Reed solo was far from a one trick pony. "Transformer" contains some stunning songs (my favourite is "Vicious") but we will go with the opener from "New York" "Romeo Had Juliette".

Have a great Thursday everyone.

Homework - #AnimalAugust #5

This week has been another working from home. Using Microsoft Teams means that you can contact people when they are at work so it's not a problem and you don't feel isolated.

This week has also allowed me to listen to a lot of CDs including some that are for sale on Discogs because I don't really play them all that much , although ironically my sale pile is the closest CD group to my CD player. The reason for this is that generally  I am finding 6Music a bit samey , although the DJ banter makes you feel you are with somebody and you do hear new music which is a great reason for listening to the radio.

The Cds I went through include "The Raven" by Lou Reed and the first Stone Roses album, plus a Fotheringay box set  (I am fairly eclectic which you know if you follow this blog, but that's only half a dozen people). Also for the #AnimalAugust we will go for a live take of "The Raven" by Lou Reed based on the writings of Edgar Allen Poe.

On the book front I have finished "Everville" and while it is an excellent book it left a lot of unanswered threads, possibly ripe for a third book of the series. I am now rereading "The Lost" by Jonathan Aycliffe which is a bit lighter than his normal stuff with some wry black humour similar to the recent BBC take on "Dracula".

The weather is good so enjoy your Saturday.

Drinking Cherry Cola in Unmarked Cars

I don't know what put this into my head , possibly the fact that the BBC (and virtually all the media, see here) had reported that the outcome of the meeting between Angela Merkel and that dangerous clown Boris Johnson was that the UK had thirty days to sort out the brexit backstop when what she had said was a sarcastic comment that it might be thirty days or two years to sort out the backstop, but I cannot find any trace of that , all the media just mentions the thirty days, but really these days , generally we can't trust what's being said.

This made me think of when the BBC were so anti product placement that songs had their lyrics changed to ensure they weren't banned from the radio. One example was the Kinks "Lola" which was fine addressing gender fluidity in majorly homophobic times but Coca Cola was an absolute no no and had to be changed to Cherry Cola, the irony being that there is now Cherry flavoured Coca Cola (and lots of other atrocious flavours) , I wonder if "Lola" gave them the idea?

The when Mott The Hoople were going to call it a day David Bowie gave them "All The Young Dudes" which kicked off their singles sales bt was only approved when the line "And Wendy's stealing clothes from Marks & Sparks" became And Wendy's stealing clothes from unmarked cars"  although eventually the original words were restored.

Again the censors didn't like that but let though:

"But she never lost her head 

Even when she was giving head"

again addressing trans and sexuality in Lou Reed's "Walk on the Wild Side"  a hit single from the Bowie produced album "Transformer".

So I'll leave you to savour "All The Young Dudes" but seriously check out the rest of the songs.

Demos

Today on my walk into work I decided to listen to the demos for the first Velvet Underground album from their "Peel Slowly And See" box set. I was surprised to see there are only six songs which I thought would be a waste of a CD , but the opener "Venus In Furs" last fifteen minutes with four takes. on acoustic guitar possibly sung by John Cale.

"Prominent Men" is almost Woody Guthrie-esque and "Heroin" is another acoustic demo reminded me how I'd introduce my new songs to bands I was playing with.

The problem with The Velvet Underground is that often some of their finshed product sounds like demo quality, but they are so vibrant that they are essential listening ranging from noise terrorism to gentle love songs to gothic menace. I still find the bass drum sound on "All Tomorrow's Parties" awesome and the menacing violin / cello backing Lou Reed's living dead vocals on "Venus in Furs" nerve tingling.

It's almost strage that the demos seem to be an almost country and western group, but they are completely transformed for the debut album release. I never saw "Waiting For The Man" as a country song.

While initially the album did not sell, it showed bands what could be done without going high tech. I've always gone for originality over technical ability and the ideal is both, but technical ability without originalty leaves me cold, Toto were prime examples of that scenario, which I think Boston and Rush were two examples of technique and originality.

The thing is the Velvet Underground showed YOU could do it. "Waiting For The Man" was one of the staples of The Bok's live set and we possibly sounded less together than the Velvet Underground but I love the main riff which was also appropriated for The Jam's "In The City" and The Sex Pistols' "Holidays In The Sun".

So that's what I've been listening to this morning and maybe will spin th evinyl tonight.

Trains and Peel

Yesterday was spent on Trans Pennine trains to an from Leeds and while they look nice, the seats are not the most comfortable, and though they run from Liverpool to Newcastle there are only three carraiges so they do get fairly packed , though I managed to get a seat there and back so that was a plus. Coming back from Leeds, which is an awful design of a station there was meant to be an Aberdeen train on platform 9D which never appeared, must have been a ghost train.

yesterday I didn't hit my rough daily walking target but I'm still on target to hit 340K for November, though looking out of the window cars are frozen up, so although it's not raining or snowing (yet) it may be a very cold walk in to work, though I may end up taking the bus, we shall see.

Peel It

The other morning I was listing to the first Velvet Undergound album (well actually the first disc of the "Peel Slowly And See" box set , named after the peelable banana skin cover designed by Andy Warhol) . The album didn't sell that well but reputedly caused more bands to be formed than any other album. Of course now it sells by the barrowload and in varies from the siophisticated influence and drone of John Cale "Venus In Furs" , to the garage band / drug mentality of Lou Reed "Run Run Run"/ "Heroin" with the Germanic influence of Nico "Chelsea Girls" / "All Tomorrows Parties"with descents into pure noise "European Son" / "Black Angel's Death Song".




One thing really hit me is the monster drum sound on "All Tomorrows Parties" which combined with Nico's vocals and the manic piano is an awesome sounding song today. So to kick of Friday, that's the song I will leave to enjoy.

Have a good one.

The Only Two Lou Reed Songs You Know

Still reading "David Bowie:A Life" by Dylan Jones and obviously Lou Reed features fairly heavily. I think Bowie produced his first two albums, the second of which was the very successful "Transformer" which always struck me for the male/female Reed representations on the back cover.

Lou Reed Transformed

Someone said that everybody only knows two Lou Reed songs:

• "Walk on the Wild Side" and
• "Perfect Day"

And they know the first for Herbie Flowers brilliant bassline that he got paid £30 for and managing to
get the line about "giving head" past the BBC censors, and the second for the Children in Need version that was released featuring everybody in the world.

As you know my memory is rubbish and I realised I didn't actually know many Lou Reed Songs myself despite having a lot of his albums. Apart from the two about these are the ones that I can think of (And I'm not including Velvet Underground songs which I am fine with), but I'm wondering do Lou Reed songs not stick with you ? Here's the ones I can remeber:

• "Satellite of Love"
• "I Love You Suzanne"
• "Vicious" (probably my favourite)
• "Christmas in February" (I think)

And that's about it. "Berlin" I think had a title track and "Metal Machine Music" was just Part 1 - 4 (a contractual obligation album of beeps which I was surprised RCA released.

So How many Lou Reed songs do you know. I'm going to include the back cover of  "Transformer" so now I can see some of the songs I've forgotten, and I think I know wht I forgot some of them.

Anyway it's Friday, the weekend is here, so have a great day.

Longer Days Shorter Nights

Apparently we are due an Arctic Storm , a good friend tells  me, and that's confirmed by the cold wind, rain and weather forecast, but it is December 22nd. Today went into town and it was quiet. Went to The Stand in Newcastle for dinner (at 2pm - that's dinner time!), and bought a book of short seasonal stories called Twas the Night Before, Before Christmas' in aid of  NECA (North East Council on Addictions) , there's more details here. I immediately saw there was a story by mate John Scott so read that with more than one guffaw as I ate my tempura coley.

I'd been considering the Lou Reed song for my December list for a few days, but thought it would be a bit depressing, but it is a very listenable anti war song , and a good way to remember the great curmudgeon. A very intelligent man who wrote songs that everyone can play, that is a stroke of pure genius and what made the Velvet Underground truly great. If you you pick up a guitar you can play a Lou Reed song and sound good and cool. I will now have to do that for you won't I?

Anyway enjoy your day, night , and I may as well include a bit of John Scott at the bottom for you to enjoy too.

Why Vinyl?

Was just off to bed and this question sprang to mind. Why Vinyl . Audiophiles talk about the warmth missing from digital representations and the personalisation that scratches and worn grooves bring but therein lies my argument. Vinyl is one of the most self destuctive of all media. Once the needle hits the groobve both vinyl an ddiamond / sapphire begin to destroy each other. Dust gathers on the record , heat warps the discs (remember dynaflex? The bane of my Bowie and Lou Reed collections).

Jimmy Page worked out that the optimum length for a vinyl long player was 18 minutes . Gram hold of an original pressing of Led Zeppelin I or II and check that there's no shiny spare vinyl in the label run off.

Vinnyl did enable some interesting tricks. Brian Eno's Great Pretender on Taking Tiger Mountain By Strategy ran into a closed groove that effectively never ended. You don't get that on the CD version. Monty Python had a three sided album because one side consisted of two separate spirals so you never knew what track you would get when you put it on.

Then on Todd Rundgren's Inititiation , the running time of that album clocked around 69 minutes with an instruction to only play with a brand new needle. I bought mine on cassette!

However we have seen a major vinyl revival , recently The Beatles and The Who's Studio Output have been boxed at £300 and £150 respectively , very impressive they are too . Nice to see the covers in their proper size , but it's still vinyl and very expensive. Black Sabbath have also had a box out

I am happy with CD and digital , for convenience sake , but I am also glad that vinyl is here to stay as well - though I wont be part of the buying public for vinyl , well maybe the odd seven incher .....