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This is post 2344 , the next will have it's number as the title. We really can't do without numeracy, although politicians are fine without it. The number in the title is the dimensions of the video above. I thought this may be a good starting point for a post , but it's not really, I can't think of anything else to say about it , so I will mention the music that I have been listening to this week.

I started with some Roxette Greatest Hits then PJ Harvey "The Hope Six Demolition Project" , followed by Prince "1999" (which was released in 1982 so more numbers there, and in the PJ Harvey title) , and this was followed by Kate Bush "Director's Cut" which three CDs consisting of "The Red Shoes" , "Sensual World" then reworkings of songs from those albums, it is a very illuminating listen.

My latest is an Electric Light Orchestra box , which  does trace their fall from pioneering musos to prepacked pop purveyors. They are responsible for my second favourite album ever "ElDorado" and Jeff Lynne is a purveyor of some extremely muscular riffs on the earlier albums ("Ma-Ma Belle" and "10538 Overture") , he also revisits The Move's "Do Ya" which is possibly his finest moment , on "A New World Record" which is when they hit paydirt and the fall began.

I'm currently up to "Face The Music" and not sure if I will finish the whole box, but the first five albums are worth the price of admission, maybe on the next post we will find out how far I got.

After The Late Show .....

I'm considering going to bed now (just after eight). Obviously there are times when I'm wide awake but others where I feel I'm wrecked, although compus mentis enough to pen a few words. Part of this is also the attempt to hit fifty posts this month, which I didn't set out to do , but the fact I got another #TenAlbumsInTenDays nomination meant that combined with #AprilSongs (which finishes tomorrow) meant that I posted a few more selections than I expected to.

Wreckless Eric has just been on Marc Riley's 6Music show talking about working with Tom Petersson of Cheap Trick and I remember buying the "Live at Budokan" on yellow vinyl in 1978, and because this am slightly tempted by getting it again. I'm quite surprised that I've never mentioned Wreckless Eric on this blog as I have been a fan since I first heard him in 1977, although I suppose I've rectified that now.

So who do I soundtrack this with?

Well at Budokan they covered The Move's finest rock and roll moment "California Man" which is a little more metal than The Move's version but an excellent band playing an excellent song for you to enjoy.

Maybe it's bed time.

1812

This is post number 1812 and as such need to ibnclude the "1812 Overture (with Cannons)" by Tchaikovsky. Interestingly "Night of Fear" by The Move was based on the main "1812 Overture" riff.

It's almost a week since my last post and one of my #August50 posts came up in my feed where I did mange to post over 50 times in August 2018. I don't expect to do that this year, although I once saw a blog that had thousands on one line link posts each day. I am not too sure of what the point of that was.

I'm just back from another weekend in Whitby managing to scoff lots of fish and chips at the Magpie Cafe and picked up a pristine copy of Can's "Tago Mago" from the MIND charity shop. he album was also inspired by the occultist Aleister Crowley, which is reflected through the dark sound of the album as well as being named after Illa de Tagomago, an island which features in the Crowley legen, which was a surpise to me.

I was once listening to a compilation CD curated by John Lydon and walked in and was listening to something which I though was maybe a remix of The Stone Roses "Fool's Gold" , but it was, in fact "Halleluiah" by Can. I have seen numerous spellings but that's what it is on the vinyl album. I do have it on CD as well (40th Anniversary) but the vinyl copy is something well worth having, and, as I said, was a charity shop bargain.

There are a few places in Whitby to pick up Vinyl such as The Whitby Bookshop, but most places are aware of their worth.

So this is my first post in February, and we shall see how many I do this month. It's really just about noticing things and being bothered to write things down.

#TenAlbumsInTenDays #2 - Eldorado - A Symphony By The Electric Light Orchestra

When Jeff Lynne and Roy Wood were in The Move they wanted to start a project that contined where The Beatles' "Strawberry Fields Forever" had left off. That project became The Electric Light Orchestra and their early albums contained some amazing musical detours, but with a heavy reliance on the string section hence the "Orchestra".

Some of the early singles showed their versatility none more striking than the all out orchestral rock and roll arrangement of Chuck Berry's "Roll Over Beethoven" being followed up by the perfect Philadelphia soul sound of "Showdown".

A switch of label from EMI's progressive arm Harvest to Warner Brothers (now Sony) for "On The Third Day" and then my second favourite album of all time "Eldorado".

I was a fan of the band an bought the single from the album the gorgeous "Can't Get It Out Of My Head" but was blown away by the full on string backed rock and roll of the 'B' Side "Illusions in 'G' Minor". That persuaded me to invest in the album with it's "Wizard of Oz" cover and it has remained a favourite ever since. The use of strings and choir organ / vox humana make for a most impressive sound for Jeff Lynne's excellent songs.

The string arrangements throughout the album are amazing particularly on "Poor Boy" but almost every song is a gem , and it is an album that you happily play from start to end. THis was followed by "Face The Music" before they finally hit paydirt with "A New World Record", but in my opinion this is their finest forty minutes and I still play this frequently.

Oddly Enough .... Todd

Going back to the seventies again for my walking listening, though for the first time I think that Pacer may not be performing as it should,  though it's logged 7K today leaving me to do 65K between now and next Saturday night.

Anyway after the revelation of "Freak Out" and Mark talking seventies music I thought I'd take a ride on Todd Rundgren's "Todd" album, a double vinyl release that I first bought on cassette from Laskey's in Preston Guidhall. I got the album home and the cassette player chewed it so I took it back and exchanged it for the double vinyl edition. Here's the Wiki entry, with links to other albums mentioned.

To most of you Todd Rundgren will mean nothing, if you have heard anything it may be "I Saw The Light" , but you will have heard his work , he was a very in demand producer and was responsible for the sound and some of the paying on Meatloaf's "Bat Out Of Hell" which you will know and maybe even have a copy of.

Anyway Todd was a double album and came in about 64 minutes , the album after, "Initiation"  was a single album and clocked in at 69 minutes , at the time the longest rock album ever put out. It came with instructions to always play with a brand new needle to avoid unnecessary damage to the grooves. That could have got very expensive and people tended to go for the cassette version.

At that time (1974) me and schoolfriends were usually wary of anything outside normal rock paramters, though those parameters were all over the place (I was a fan of The Bonzo Dog Band and T Rex and Northern Soul) , we were also into Krautrock and Space Rock and anything "out there". Soul was frowned upon, although Stevie Wonder, Parliament , Funkadelic, Gloria Jones,The Supremes and James Brown were OK.

Anyway Todd Rundgren came onto our radar and I got the album home and listened to it, four sides that seemed to cover every acceptable base , then a few more also making them acceptable.

The opening "How About A Little Fanfare" is really a continuation from the wonderful "A Wizard/ A True Star" album. The thing is as you listen to this album it has everything and takes you off to places you don't expect to go, "Spark of Life" is almost Krautrock and definitely Space Rock, then we have Gilbert & Sullivan "Lord Chancellor's Nightmare Song" from "Iolanthe", along with some pure soul such as "The Last Ride".

Todd in Names

 "No. 1 Lowest Common Denominator" which is what Hendrix's "If 6 Was 9" would be in an alternate universe. There are a lot of songs to enjoy and when the tape shredding transposition from "Izzat Love" to "Heavy Metal Kids" hits tape owners must have thought that's another one gone.

The album finishes with "Sons of 1984" a live song featuring "First United Church of the Cosmic Smorgasbord" which was the audiences from two live outdoor gigs in Central Parlk And San Francisco making it possibly the biggest number of backing vocals on a song ever (I don't know if that's still true). I think that their names were recorded on a poster included with the vinyl album which replicated the cover using the names.





All in all another essential album, that I have just revisited and been amazed by because it just reminded me of how good it was itn the first place. If you buty it on CD you get some extra live songs including a cover of possibly Jeff Lynne and The Move's finest three minutes "Do Ya" .

Listening to   "No. 1 Lowest Common Denominator" has reminded me that I need to load some Hendrix onto the phone for some more listening, although I am willing to take any suggestions from you.

I've had a good day today, hope you enjoy your evening

Better Daze - #16 - 1972 - The Move - California Man

Rock and Roll

Today will be intense at work , But I at the end of today all the pressure stuff will be finished. Then after that I have the weekend to look forward to. You too have the weekend to look forward to , so allis good here.

It's 1972 and have chosen The Move's California Man one of the finest slabs of Rock and Roll you will ever hear.

Have a great day.