Influential

This week I have been watching a couple of music programs / documentaries that I noticed on Amazon Prime. They were "Tom Waits : Under The Influence" and "Captain Beefheart: Under Review" . I am still working through the Captain Beefheart one which is is an in depth take on his development and influences with input from band members and music critics.

The Tom Waits one is an interesting one because it concentrates on the influences on Tom Waits' music by giving you potted histories of the artists that influenced him (sorry about the repetition of the word influence there ) . This has the effect of introducing you to each of these artists by sharing interviews , live video , music and text.

So we see Jack Kerouac , Frank Sinatra , Lord Buckley , Captain Beefheart (he an Tom have more than a passing visual resemblance)  , Ken Nordine who made his way doing voiceovers but also rapped as well as Kerouac and the beat poets but Nordine was low in his delivery letting the listener have time to take in the verbal images he was sharing. This documentary packs so much into it that you want to find out about the artists who influenced Tom Waits. 

As well as these Kurt Weill and Bertolt Brecht surface in the "SwordfishTrombones" universe with songs like "Underground" confirming this.

Beefheart's marimba influence appears on "Sixteen Shells" but the sound is undoubtedly Tom Waits.

Waits took things on board and progressed the ideas to make a decidedly Waitsian sound  and in that he has become an influence for many artists going forward , being covered by artists as diverse as The Eagles , Rod Stewart , Screaming Jay Hawkins and The Ramones.

Bothe documentaries feature the very articulate John French , "Drumbo" drummer and guitarist with various incarnations of Beefheart's  Magic Bands,

"Captain Beefheart: Under Review" concentrates on Beefheart and his music and bands and while challenging, is a great primer for the music , how he reinvented the standard song structures resulting in sounds that are most definitely challenging to the ear.

So what songs do we go with , well for Tom Waits it's "Sixteen shells from a thirty ought six" and Captain Beefheart "Big Eyed Beans From Venus" . If you can watch the documentaries , but check out the music. You never know you may discover something you like.

On a side note if you do blog you can earn a little pin money by advertising various things like the music links below and adsense to the right. , or direct links such as tattoo style fonts online which have some snazzy music related fonts to featuring in your work.

I am still writing "Mitarantula" so again that might be another repostory to use some eye striking fonts, although just on the front page rather than the whole book or document. The right font in a book can drag the reader in or throw the reader out. 

Good fonts should be easy to read and should not  put the reader off. I think most of this is plain Ariel.

Coincidentally ... Ken Nordine

A couple of days ago on my Instagram #MusicWhileYouWork sequence i shared some of "Stay Awake" a collection of off the wall takes on Disney classics and the opener "Hey Diddle Dee Dee, An Actors Life For Me" from "Pinocchio" featured a spoken rap by someone called Ken Nordine who I was sort of unaware of but I, and you, have probably heard his voice.

His perfect enunciation was ideal for voice overs and "Dispepsi" by Negativland features a lit of uncredited adverts and I am sure that Nordine is in there. 

You can listen to him in the video above but while a lot of the beat poets hit the listener hard and fast , Nordine gives the listener time think and absorb the words and idea.

In the documentary "Tom Waits: Under The Influence" Tom Wait's influences' get mini documentaries themselves and Nordine has his and was active until his death in 2019, a very well spoken man and someone who I will be investigating further as he takes listening in another direction.

It's not everyone's taste, but I am glad to have discovered someone else that stimulates my imagination.

Take a listen and see what you think.

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Keep Reading

I am half way through "The Keep" by F Paul Wilson and thoroughly enjoying it, with it's second world war setting , links to vampires and HP Lovecraft with the release of  Molasar a possible strigoi or as described in the book moroi . Hence the title of this post, it's an easier read than a lot of my recent ones, but it's always good to keep reading, and this is the first in a series of six books , so that's going to be a bout two thousand pages of The Adversary Cycle

I am so glad that we have Wikipedia to at least point you in the right direction when I can't be bothered to expand on what I am writing.

Today I have been listening to "Tommy" by The Who on vinyl , and it shows how magpie like like I have been with my buying. I didn't even know is was an American Decca release. Also disc one consists of sides one and four and disc two sides two and three , implying it was meant to played on a stack deck like you did with singles. I don't think I've seen any new decks like that although I am sure RPM will have some around. The think is singles have a raised edge around the label to ensure the grooves don't come into contact with each other , whereas albums don't (why would you want to stack albums , twenty minutes of music should be more than enough for you).

So we'll go with a live take of the "Overture" from "Tommy" from 1989 . I have ten takes on "Tommy" including I think five live sets from various live albums and was shocked to see the deluxe version of "Who's Next" going for £1200 on Amazon and the extra disc on that has a live take of "Tommy". The thing is you can put any price on anything, but it's only worth it if someone want to buy , and I don't want to sell although if someone was to chuck me a grand I may be tempted

... on a Magic Swirling Ship

More weird dreaming yesterday except as usual everything in the dream was mundane , like being in people houses , going for a drink in a small field , being in Oswestry (Oswestry? I don't think I've ever been or ever need to go , not that I have anything against Oswestry). Dreams can be boring at times.

Today I went to get a bit of shopping and now I have a painful shoulder / chest. I did have t take off my rucksack part of the way back, but at a quick estimate the weight of the shopping was about 15Kg which I carried for around two miles. It's amazing how bottles of milk , water and Prosecco do carry some weight.

Anyway this is a short post mainly inspired by the title line that came into my mind. I have been listening to Bob Dylan's "Biograph" this week and I first heard the line when The Byrds played it on "Thank Your Lucky Stars", and that hooked me. When I first heard the Bob Dylan version I was less impressed thanking he couldn't sing or play. I persevered and Dylan's delivery grew on me. The early stiuff sounded rough but the words took you into magic.

Lot's of people still don't rate Dylan, but like Terry Pratchett his sales must be a huge comfort to him. I only ever liked "Mort" by Terry Pratchett , but that's just me , and people tell me that I am missing so much. I did enjoy the TV adaptations and am similar about Stephen King , find most of his books a grind but TV and film adaptations are great and I think the guy is great.

The "Magic Swirling Ship" is a great analogy for our dreams and the places books and music take us and for me that is just a brilliant image. In itself it's meaningless, but let your mind loose on it and it can be anything you want.

Tommy Can You Hear Me?

I had a dream in which a lot happened last night but the only specific thing was me chucking a pint of water over Donald Trump who was sat in a sink. I don't know if it's related to the fact that there are some tea spoons being bleached in a pint glass by the sink down stairs or what, but the dream involved country roads , cottages , buses and the aforementioned incident.

This is my sixtieth post this year , so that is averaging fifteen posts a month , although there is a lot of April to go so I am expecting maybe two hundred posts this year.

This week has seen me listening to a lot of music and realising that I have ten copies of  "Tommy" by The Who in one form or another and the Ken Russell film sort of set a blueprint for decent pop videos with Elton John's "Pinball Wizard" and Tina Turner's "Acid Queen".

I have the original , orchestral and film soundtrack but all my live Who CDs have a live take of  "Tommy" included , including "Who's Next". So it's gotta be Tina Turner's "Acid Queen" to play out with.

So Lazaretto

This weekend I have listened to Jack White's "Lazaretto" on CD and the "Ultra" vinyl version. Side one of the "Ultra" vinyl version is a strange and unusual experience. I think I bought it because it was the first laser etched hologram on the runout groove of a vinyl LP , but I also like Jack White and had heard some songs from the LP.

I have the CD as well whicjh means I can listen and enjoy , but the vinyl album doesn't even play in the normal direction , no matter where you drop the needle , it finds it's way to a closed groove at the start of the record.

The angelic holograms are quite amazing , just because they are. You can't get your head round that these are made of light shining on some black spinning vinyl. I was thinking of doing a YouTube video but my Instagram Post is enough. The hologram was designed by Tristan Duke of Infinity Light Science. He also did the Star Wars Holograms as well. You can check out all the videos and the web site.

Watch the video and be impressed.

Easter Coincidence

It's Easter Sunday and I 'have just started rereading "The Keep" by F Paul Wilson, which I have happily dived into and one of the characters in it is called Oster which I believe is modern Dutch for Easter and I am sure my friend Bas will confirm it or correct me.

There is a lot about the origins of Easter here  essentially in English-speaking countries, and in Germany, Easter takes its name from a pagan goddess from Anglo-Saxon England who was described in a book by the eighth-century English monk Bede.

Ostara (1901) by Johannes Gehrts.
.Spring feasts were held to honour
the Anglo-Saxon goddess
Eostre/Ostara

"Eostre was a goddess of spring or renewal and that's why her feast is attached to the vernal equinox,"
according to University of Sydney Professor Carole Cusack

In Germany the festival is called Ostern, and the goddess is called Ostara.

I always find it odd that the Christian celebration of something so important to them ia avery moveable feast , while stuff like Christmas is actually fixed.

So I wasn't really going to write anything today but I think Mott The Hoople's "Roll Away The Stone" is sort of appropriate, don't you.