When Did This Happen?

A couple of my last posts have alerted me to music because it was used in a TV series particularly "Come On Up To The House" by Tom Waits in "Orange is the New Black" and "Congregation" by Low in "Devs" . These are two recent examples but there are so many more and it seems to be that TV programs are one of the main ways of spreading music to the general public.

These days music means nothing to many people and even if they do listen it's a Spotify playlist where they skip to the next song after twenty seconds because they don't really listen. Mobile phone companies promote the speed of their network telling us you can download an album in seconds ... but it still takes forty minutes or so to listen to it.

There seems to be less music in adverts , or maybe it's me not watching live TV and therefore skipping advert sso missing the music, and when you get back to the sixties you heard music on the radio , Top of The Pops  or from friends or discos. I think there was a Cadbury's Fruit and Nut advert in the late sixties early seventies that used "Return of Django" by The Upsetters with Terry Gilliam inspired animation but I can't find the advert.

So that's where we're at and I thought I'd share before bed, and we will listen to "The Return of Django"

Thirteen Ways To Kill A Poet

This is not about "Thirteen Ways To Kill A Poet" but it's another thing that leapt out at me while ready "David Bowie: A Life" by Dylan Jones. It was an idea for a film that Martin Scorses had, to get thirteen directors to direct sections of a film with that title. He had in mind Terry Gilliam (my favourite director), Wim Wenders and David Bowie (due to stuff like "Ashes To Ashes" and other Bowie videos) but Scorsese due to timings and availability was unable to make it happen, so it remained a dream project.

I also discovered that Duncan Jones (aka Zowie Bowie and director responsible for two of my favourite science fiction films of the last ten years "Moon" and "Source Code") worked on building the puppets for Labyrinth. David had tried to get him to learn a musical instrument saxophone or guitar, but Duncan was always more interested in film.

One of the reasons to read, you can always discover fascinating facts about people who interest you.

Yesterday on my walk to work I put on Genesis' "Selling England By The Pound". I suppose that has been the Tory policy for the UK since I've been aware of politics. Genesis at the time were the acceptable face of progressive rock, but parts of this have not dated that well although overall it is still at excellent album. "The Battle of Epping Forest" was the epic centrepiece to the album but suffers from some sub "Carry On" character humour. Peter Gabriel using the song for several characters , some right down embarrassing now, though OK at the time.

The album is bookended between the gentle but strangely eerie "Dancing With The Moonlit Knight" and the list of supermarket names for "Aisle of Plenty" a beautiful coda but the lyrics while sort of clever do grate a bit.

It feature's Phil Collins debut Genesis vocal on "More Fool Me" which closes side one, and his similarity to Peter Gabriel is similar to the Roger Daltrey / Pete Townshend situation in the Who, the vocalists start to sound like each other.

"The Battle of Epping Forest" is followed by what I originally regarted as a throwawy instrumental "After The Ordeal" but that turns out to be an impressive pice, next up is "The Cinema Show" eleven minutes which doesn't start well with some very twee lyrical play but it builds into another brilliant instrumental tour de force.

After the quiet intro "Dancing With The Moonlit Knight" it develops with a particularly vicious riff before drifting into the single "I Know What I Like" in which Gabriel hit's us with a West Country accent, but this is controlled and results in an excellent song. "Firth of Fifth" is essentially a nine minute piano driven piece which is one of the high points of the album.

So I'll leave you with a live take of the opening song, enjoy your Tuesday.

An End Is In Sight

It seems a very long time since I woke up and thought "Bloody hell, It's Twelve O' Clock (Noon)". I am not sure why this is , but it probably stems from when I started back doing 10K steps a day. Weekends are usually days when you can do more, although more steps take more time. I am now 35K steps away from hitting the target of my Million Step Challenge. I was wondering how I would continue exercising after the target had been hit, and was worried I would maybe fall back into becoming more sedentary and therefore lose the benefits that I have gained from doing the walking. We all need goals, if we don't have them then we vegetate and ossify. So I have simply decided to aim for 34K steps a month which should ensure that in any three month meriod I should walk a million steps.

Life is affected by continual change and the need to deal with those changes , which is why so many people railed against Jodie Whittaker as the new Doctor Who. This is the thirteenth regeneration of the Doctor, and every one has caused people to complain that the new Doctor is not The Old Doctor (here's a list and as long ago as 1989 Dawn French , Joanna Lumley and Frances De La Tour were in the running) , though the worst complaints are sexist and misogynistic. The term Doctor is not gender specific, and in the last series Peter Capaldi was guarding a rogue female timelord , they swapped bodies and several times talked about their past and whether they were male or female. Further back there ws the River Song / Amy Pond thread , so you can't say that you were'nt prepared for this by plot developments.

Continuing through "Electric Eden" (40 pages to go so another ending nearing) I also came across more things I was unaware of. Until Kate Bush hit Number One with "Wuthering Heights" in 1978 no woman had topped the singles chart in the UK with a self penned song, so thirty years that took. Then, talking about the video to one of the songs from my favourite album of hers "Hounds of Love" , it was conceived in connivance with Terry Gilliam (my favourite director, incidentally Kate performed the theme song to my favourite Gilliam film "Brazil" which I've included at the end of this post) and featured Donald Sutherland who had been angling to work with Kate, that was "Cloudbusting" often mis spelt as "Cloudbursting". The story behind the song is absorbing to and can be read here.

This is the thing, reading can tell you new things and remingd you of things you have forgotten.

I know it's grey but today I am looking forward to seeing my friend Julie with Fiona and possibly doing an unfeasible amount of steps, or maybe I will just get the bus.

Have a great Saturday my friends.

A Devilishly Short Post

I wasn't going to post anything this morning, as I need to get off to the doctors, pick up a book from the Post Office, then go to work. But again, reading "Tom Waits on Tom Waits" I come across an interview with Terry Gilliam. That's two of my favourite artists talking together (well the words transposed to paper) , how good is that.

I also saw a great mural in Edinburgh featuring Gilliam (see here) and below:

Gilliamesque

I suppose it's natural that imaginative people gravitate towards imaginative people and Waits ended up cast as The Devil in Gilliams' "The Imaginarium of Doctor Parnassus" , which I loved (As I do with most of Gilliam's films"

I'll include "Down In The Hole" from "Frank's Wild Years" (which was the theme to "The Wire") and references The Devil heavily.

Anyway I just wanted to tell you about that before I went off to pick up my book. Have a brilliant Tuesday everybody.

IT Support, Larry Niven's Inferno and Brazil

It amazes me how in modern life , things like service provision take a back seat . There's a saying that the customer is always right , but not apparently when dealing with government or IT Support. The pretext is that these organisations are her to serve us ,  but so often just try to stop us from actually doing anything constructive by laying down impossible to follow conditions , just so they can get away with not actually do anything.

I recently received a letter from the DVLA saying that I wont get a refund from the tax disc I sent them when I scrapped the car because I hadnt told them why I wanted a refund , despite sending me a separate letter saying that they had received confirmation of the transfer of ownership for scrapping the car.

When you work somewhere you build up a history of rights and privileges required to do your job . These should be cetrally recorded to be checked and cross checked when required , but it seems that they can disappear in an instant when departments decide not to bother with keeping records.

I've come up against many IT support departments who's attitude is that their life would be ideal if it were'nt for those pesky users . And amazingly a lot of them get away with it!!

The only way round this is to take your own copies of any document that gives you rights , and just hope you can get backing when you need to go up against the bully boys.

Ithe book Inferno by Larry Niven  (his take on Dante's Inferno) , one of the levels of hel requires the hero to fill in forms in triplicate on tissue paper with a blunt pencil. This is how I feel sometimes going against the faceless foe.

Terry Gilliam's Brazil is another example where Jonathan Pryce has to continually form fill to get the slightest thing done . Maybe one day things will click into place and the world will run smoothly , but I think there a lot of people who will do anything to make sure that doesnt happen!