Showing posts with label Dylan Jones. Show all posts
Showing posts with label Dylan Jones. Show all posts

Tuesday 14 November 2017

Thirteen Ways To Kill A Poet


This is not about "Thirteen Ways To Kill A Poet" but it's another thing that leapt out at me while ready "David Bowie: A Life" by Dylan Jones. It was an idea for a film that Martin Scorses had, to get thirteen directors to direct sections of a film with that title. He had in mind Terry Gilliam (my favourite director), Wim Wenders and David Bowie (due to stuff like "Ashes To Ashes" and other Bowie videos) but Scorsese due to timings and availability was unable to make it happen, so it remained a dream project.

I also discovered that Duncan Jones (aka Zowie Bowie and director responsible for two of my favourite science fiction films of the last ten years "Moon" and "Source Code") worked on building the puppets for Labyrinth. David had tried to get him to learn a musical instrument saxophone or guitar, but Duncan was always more interested in film.

One of the reasons to read, you can always discover fascinating facts about people who interest you.

Yesterday on my walk to work I put on Genesis' "Selling England By The Pound". I suppose that has been the Tory policy for the UK since I've been aware of politics. Genesis at the time were the acceptable face of progressive rock, but parts of this have not dated that well although overall it is still at excellent album. "The Battle of Epping Forest" was the epic centrepiece to the album but suffers from some sub "Carry On" character humour. Peter Gabriel using the song for several characters , some right down embarrassing now, though OK at the time.

The album is bookended between the gentle but strangely eerie "Dancing With The Moonlit Knight" and the list of supermarket names for "Aisle of Plenty" a beautiful coda but the lyrics while sort of clever do grate a bit.

It feature's Phil Collins debut Genesis vocal on "More Fool Me" which closes side one, and his similarity to Peter Gabriel is similar to the Roger Daltrey / Pete Townshend situation in the Who, the vocalists start to sound like each other.

"The Battle of Epping Forest" is followed by what I originally regarted as a throwawy instrumental "After The Ordeal" but that turns out to be an impressive pice, next up is "The Cinema Show" eleven minutes which doesn't start well with some very twee lyrical play but it builds into another brilliant instrumental tour de force.

After the quiet intro "Dancing With The Moonlit Knight" it develops with a particularly vicious riff before drifting into the single "I Know What I Like" in which Gabriel hit's us with a West Country accent, but this is controlled and results in an excellent song. "Firth of Fifth" is essentially a nine minute piano driven piece which is one of the high points of the album.

So I'll leave you with a live take of the opening song, enjoy your Tuesday.


Tuesday 24 October 2017

Happy Trails ....


Still on the Dylan Jones "David Bowie: A Life" and it seems a lot of the articles are about the (insert your superlative here) sex they had with Bowie, although this is like the red top sensationalism, there is zero expansion. If something is fantastic or amazing you say why it is so. I write about things that catch my eye or imagination , but I don't write "I had a fantastic walk to work" or "I saw an amazing band last night" and leave it at that. The only slight expansion is the Angie Bowie / John Bindon / Pricess Margaret situation where obviously something was afoot in the members club.

One amusing interlude is when Bowie invited Glenn Hughes (then with Deep Purple) up to his room. Basically Bowie kissed Glenn but that was definitely not Glenn's taste.

Then we had the really interesting encounter with Amanda Lear. Bowie had seen her on the cover of Roxy Music's "For Your Pleasure" clad in leather and was disappointed with her look when she arrived. But they chatted ad she became aware of holes in his eductation and introduced him to Fritz Lang's "Metropolis" and William Burroughs' "Naked Lunch" . Now that is interesting, as the look of "Metropolis" influenced Bowie possibly directing him towards his Berlin period.

Amanda, Bryan and a Cat


Quicksilver
Yesterday I listened to "Happy Trails" by Quicksilver Messenger Service. When I first saw the cover I couldn't make out whether the guy was riding toward you or away from you. It was years before I finally got the album and realised he was riding toward the artist.

The album basically consists of three extended workouts and two short songs including the throwaway coda of the title track.

Side one is an extended workout of Bo Diddley's "Who Do You Love" which starts out well but loses it's way losing the threat of the original in some saccharin west coast vocalising.






I walk 47 miles of barbed wire
I use a cobra snake for a necktie
I got a brand new house on the roadside
Made from rattlesnake hide

I got a brand new chimney made on top
Made out of a human skull
Now come on take a walk with me Arlene
And tell me who do you love?

Tombstone hand
And a graveyard mine
Just 22
And I don't mind dying

It's still worth a listen, but is rescued by the introduction of "Mona" another Bo Diddley song which lasts for seven minutes and this one does not let up.  "Calvary" is a psychedelic spaghetti western theme and these three pieces make the album essential listening.

Anyway it's time to get out on the road, so enjoy your Tuesday everybody.





Friday 20 October 2017

The Only Two Lou Reed Songs You Know



Still reading "David Bowie:A Life" by Dylan Jones and obviously Lou Reed features fairly heavily. I think Bowie produced his first two albums, the second of which was the very successful "Transformer" which always struck me for the male/female Reed representations on the back cover.

Lou Reed Transformed


Someone said that everybody only knows two Lou Reed songs:


And they know the first for Herbie Flowers brilliant bassline that he got paid £30 for and managing to
get the line about "giving head" past the BBC censors, and the second for the Children in Need version that was released featuring everybody in the world.

As you know my memory is rubbish and I realised I didn't actually know many Lou Reed Songs myself despite having a lot of his albums. Apart from the two about these are the ones that I can think of (And I'm not including Velvet Underground songs which I am fine with), but I'm wondering do Lou Reed songs not stick with you ? Here's the ones I can remeber:


And that's about it. "Berlin" I think had a title track and "Metal Machine Music" was just Part 1 - 4 (a contractual obligation album of beeps which I was surprised RCA released.

So How many Lou Reed songs do you know. I'm going to include the back cover of  "Transformer" so now I can see some of the songs I've forgotten, and I think I know wht I forgot some of them.

Anyway it's Friday, the weekend is here, so have a great day.


Wednesday 18 October 2017

Books To Read


I've been finding it difficult to keep up with the walking, basically due to personal laziness. The thing is the last couple of days I've done more than my required steps to keep my rolling three month million steps going and keep thing am I obsessed or am I focussed and is there a difference. The thing is I know it benefits me physically so I know I have to keep doing it, and I will keep doing it as long as the weather is reasonable , and if it's not I will find another way of keeping up. I have Fenham Community Pool less than ten minutes walk away.

It's funny , while I am not an avaricious reader , I am reasonably well read. I am proud to have passed that on to both my daughters, Kirsty is always reading and recommends some good stuff and Juliet had read "Lord of The Rings" by the time she was 8. Her teacher at her new school didn't believe her so gave her a grilling, and she answered every question he asked. He was well impressed. It's a book I have a few copies of and have read about five times even though it consists of six different books, and often released as three separate books. I was introduced to Tolkein at secondary school and "The Hobbit" was one of the first books we had to read and most of the class loved it. A great introduction and great preparation for "Lord of The Rings".

My favourite book of all time is Clive Barker's "Imajica" , incidentally another book that is often split into three separate volumes. I love it, it has everything you could want from a twisted fantasist spanning five dimensions with magic , horror and lots more.

There are two books that everyone is assumed to have read and be familiar with that I have not touched. They are:


It's something I am going to do something about before the end of the year. I am currently reading "David Bowie: A Life" by Dylan Jones which is essentially a chonological compilation of interview snippets, but still interesting to get an idea of Bowie, although the number of people who come on the when appeared doing "Starman" on Top of The Pops their life changed and nothing would ever be the same again seems a bit far fetched to me. Yes Bowie was innovative but he was also a magpie and loved attention, and this got it in spades.

It can't happen again because at the time most of the population watched Top of The Pops religiously, now we have the internet, and so many ways of communication and finding an sharing information that were not available at the time.

Incidentally at my second ever gig somewhere in Ingol someone asked us to play it, and though I'd never played it before we managed to do it!! 

A lot of people these days can barely listen to two minutes of a song.

So it's obvious what I will leave you with isn't it.....


Saturday 7 October 2017

Sounds,Pictures and Letters


I've just finished Alexei Sayle's "The Weeping Women's Hotel" and must say that the title is probably opne of the biggest McGuffins I've ever come across. This isn't a put down of the book, becouse the title is where it starts and then you har pushed back into the story of how the protagonist got there, and are soon into a completely different place. While the situation is fairly ordinary , the way that Alexei Sayle presents it keeps your attention and wanting to find what happens next and when you end up where you started it almost comes as a shock, although it shouldn't be. I am really glad I picked it up and thoroughly enjoyed it and think you will too.

I'm just listening to 6Music and have just heard that Alexei Sayle is DJing on there tomorrow afternoon, another coincidence in the tapestry of life.

I'.m now reading "David Bowie: A Life" by Dylan Jones , ex Loaded editor and a birthday present from Fiona and it's a fairly hefty volume , and I was worried I already had a copy but was getting it mixed up with the Paul Morley biography. As Jones says Bowie's departure has unleashed a tsunami of books. While it still has to really grab me there's a couple of bits that caught my attention.

When Bowie's death was announced he was covering a mens fashion event and as the news spread he said everyone was in tears. Part of me railed against this, thinking most of those people probably would even know the title of a song (Q:"What's your favourite song on the album" A:"Track 4", that answer is only acceptable for Blur's "Song 2" and Scott Walker's "Track 3" and "Track 5") , but Bowie himself was a fashion icon and everyone has a different take on everything.

In th eintroduction to the book, Jones tells how he ws talking to his dad about the book, saying how when he first saw Bowie on Top of the Pops with his orange hair and rainbow body suit, he was totally hooked. His dad's reply was a killer. "You know we only had a black and white telly". That gem made sure that I will read the book , I am expecting more.

Anyway after the number of bland albums I've chosen over the last few days, I decided to play it safe with Halm Man Half Biscuit's "Cammell Laird Social Club" which I managed to mix up with "McIntyre Tradmore and Davitt" and was rewarded with song after brilliant song which also brough a lot of smiles to my face, such as "The Referee's Alphabet" the night after the pedestrian torpor of the England match at Wembley.

Last night  I was privileged to attend my friend Sheena Revolta's "Garageland" photographic exhibititin in Arch Sixteen, with Lady Annabella looking lovely and DJing opening with the excellent "Rumble" Link Wray. I don't think Arch Sixteen has ever had so many people in (it is a lovely place just over the High Level Bridge in Gateshead) just showing the love that her fans have for Sheena's work. Most of the photos are black and white and are beautifully presented. The exhibition is on for a couple of weeks so get yourself along there and enjoy a visual feast.

So what song to choose, I am torn between a Half Man Half Biscuit song and something to celebrate "Garageland" and trying to think of someting that will merge the two, but I think "27 Yards of Dental Floss" will be just fine, have a brilliant Saturday.