The Problem With Vinyl

Today I had a little free time in the house to myself and decided to listemto some vinyl while catching up on some reading. Today it was still "American Gods" by Neil Gaiman, while listening to "Velvet Underground and Nico" , "Strange Days" by The Doors and "Exile on Main Street" by the Rolling Stones.

Then I realised the "problem"

When walking and listening digitally I can listen to an album, even a double album end to end. When CD came out you could listto 78 minutes of music without interruption. When "Godbluff" by Van Der Graaf Generator was released the NME said that it needed to be heard as a continuous piece and vinyl didn't give you that. At the time you would have had to record it on to a side of a C90 Cassette, but CD changed all that.

And therein lies the problem, a side of a decent sounding vinyl album (33⅓ rpm) will clock in at ten to twenty minutes, so the music, while enjoyable runs out fairly quickly for me. I still like listening to vinyl  but if I am reading then usually I up every fifteen to twenty misnutes to change the record.

That's all I wanted to say so I will leave you with "Sweet Black Angel" from "Exile On Mainstreet" which was the "B" Side of the lead single "Tumbling Dice".

Sleep well folks.

Flexibly Free

Back in the sixties and seventies music was often promoted by giving away vinyl flexidiscs. These were'nt meant to last but were meant to give you a taster of something so you would buy the actual single or album and generate income for the artist and definitely the record company.

The thing is sometimes these flexidiscs contained exclusive music (at the time), I'm thinking Alice Cooper's "Slick Black Limousine" which was promoting "Billion Dollar Babies" and the interludes on the promo for the Rolling Stones' "Exile on Main Street". These were both NME freebies as it was my music mag of choice at the time. Both these were committed to cassette as soon as I got them, but were lost way back. They may be worth something now.

I recently bought a couple of flexidiscsfor Long Play Cafe / Empire Records in The Grainger Market and was surprised that the Adam and The Ants one had no track name on , but is their take on The Village People's "YMCA" called apparently "IMCA". Because the flexidiscs slip you need to put a couple of coins to stop the vinyl slipping.  The other was by Hazel O'Connor and you can see the details here. LAter sounds actually started giving away vinyl EPs.

But in the sixties we started getting loss leader compilations. At first I thought these would be very expensive, but they were very cheap and full of amazing music. Again these often contained music you couldn't get anywhere else, I'm thinking "America", Yes' ten minute take on the Siman and Garfunkel song and Led Zeppelin's "Hey,HeyWhat Can I Do" on the "Age of Atlantic" samplers.

The first one that I bought was Island's "Nice Enough To Eat" which introduced me to Nick Drake, Fairport Convention, King Crimson and many more.

In the disgital age Amazon used to give free downloads but that seems to have stopped but often artists make music available to download for free in exchange for an email address.

I suppose music is still effectively free to listen to on the radio and Youtube, but I do like to have the music and make sure the artist gets something from me.

Well I am looking out at the blue sky and sunshine and think its time to wake the neighbours by mowing my overgrown jungle of a lawn.

Today Fiona and Helen are doing a 26 Mile walk for MacMillan which you can track here and donate here.

Have a most enjoyable day

Precipitate

Unexpectedly (for me) it's raining. I was out at dinner time and was wondering whether to buy an umbrella or to plan a route back to work as much undercover as I could find. I plumped for the latter as I didn't see any umbrellas on sale.

The rain seems to have stoped so there may be a chance of mowing the lawn tomorrow, as it does look quite green and lush now.

I've noticed that when I type I often capitalise my second letters, maybe doing it too fast and another thing is splitting the last "e" of a word and starting a word with that "e". It's always the letter "e". Then sometimes I notice an oddly used word, and I am sure it's caused by some rogue autocorrect as I would have no reason to make such ludicrous errors, but go back through my posts and you will find them.

Today I moved on from the Velvet Undergound demos to the actual first album, and love it, although what I assumed was a guitar riff on "Waiting For The Man is actually a piano riff. While the demos are interesting this is the real stuff.

So I will include (once more) "All Tomorrow's Parties" with that awesome drum and Nico's gothic magisterial vocal lines carrying all before it.

It's almost the weekend so enjoy.

Noise Is Good

Well sometimes. Sometimes you want quiet but someimesnoise lets you know that there is someone or something else there, be it a radio, tv, someone else in the house or whatever.

I was just in the shower and could hear something that sounded like the "Theme From The X-Files" and realisedit seemed to be coming through either the shower drain or the shower head. Totally weird but I wonder if that is where Mark Snow got the idea from. Who knows?

Quiet is also good at times, sometimes it's just good to lie on the bed with an eye mask in a dark room and complete quiet and empty your mind. A great form of relaxation, and after it I then want NOISE.

I love playing stuff on vinyl because there's no remote, so no skipping and you can actually sit and enjoy the music.

When I walk  I have a decent set of headphones so the phone / headphone combination allows me to listen to whatever I want (as long as it's on the phone). I don't use music streaming services because I think they're unworkable business model for artists (unless you're Ed Sheeran) but I still have a huge selection on there. Although in this creeping inherent tech induced laziness, transferring music to my phone is a bit of a chore. The thing is when we used to make mix tapes for friends we had to choose albums and tracks and do it in real time, so a ninety minute tape would take you well over two hours make, whereas these days people just want to share a spotifyplaylist.

I find the same with DVDs, I find getting up getting the DVD out, opeing the player drawer and then pressing play a chore. And I always forget about the theft warnings before the video starts. Like is many walks of the life it's the people who keep to the rules who are targetted, not the ones who break the rules. 

Demos

Today on my walk into work I decided to listen to the demos for the first Velvet Underground album from their "Peel Slowly And See" box set. I was surprised to see there are only six songs which I thought would be a waste of a CD , but the opener "Venus In Furs" last fifteen minutes with four takes. on acoustic guitar possibly sung by John Cale.

"Prominent Men" is almost Woody Guthrie-esque and "Heroin" is another acoustic demo reminded me how I'd introduce my new songs to bands I was playing with.

The problem with The Velvet Underground is that often some of their finshed product sounds like demo quality, but they are so vibrant that they are essential listening ranging from noise terrorism to gentle love songs to gothic menace. I still find the bass drum sound on "All Tomorrow's Parties" awesome and the menacing violin / cello backing Lou Reed's living dead vocals on "Venus in Furs" nerve tingling.

It's almost strage that the demos seem to be an almost country and western group, but they are completely transformed for the debut album release. I never saw "Waiting For The Man" as a country song.

While initially the album did not sell, it showed bands what could be done without going high tech. I've always gone for originality over technical ability and the ideal is both, but technical ability without originalty leaves me cold, Toto were prime examples of that scenario, which I think Boston and Rush were two examples of technique and originality.

The thing is the Velvet Underground showed YOU could do it. "Waiting For The Man" was one of the staples of The Bok's live set and we possibly sounded less together than the Velvet Underground but I love the main riff which was also appropriated for The Jam's "In The City" and The Sex Pistols' "Holidays In The Sun".

So that's what I've been listening to this morning and maybe will spin th evinyl tonight.

War Children

A bit colder  this morning 13º according to my phone although the radio is forecasting 23º to 25º later today, and I'm listening to 6 Music and "3AM Eternal" by KLF has just come on the radio and that immediately reminded me of their contribution to the "HELP" album for War Child, "The Magnificent" by them disguised as The One World Orchestra taking on Elmer Bernstein's "Theme From The Magnificent Seven".

War Child is still going today ,because our governments supply and profit from weapons and bombs, an have to care for the resukts by charity contributions. They still need our help.

The album was released in 1995 and has since spawned a series of creditable compilations, featuring some excellent covers and original songs, one of my faves was "Tom Petty Loves Veruca Salt" by Terrorvision, but you also find a Paul Weller / Paul McCartney collaboration in there as well as Blur, Radiohead and Suede.

I wasn't intending to write anything this morning but it's funny how a random thing can then inspire you to actually write something. I am surprised I've not wrote about this before, but I haven't and now I have so there.

I have all these albums (and more) in my collection barring the impressive vinyl singles collection. I may actually do a post about other charity compilations.

Anyway it's time to get going , so enjoy your Thursday.

Back To Bowie

I had a dream last night but all I can remember i smy contact lens fluid being contaminated by coffee. I wrote about some absolutely awful coffee in my last post , but it turns out that I should have checked the milk I was using, as I tried it on some cereal and it was not good. At first I thought my sense of taste had taken some mad turn and now I couldn't drink milk, I smelt the bottle and it was truly awful. I was half expecting a replacement bottle to be the same but it was fine.

Basically if something is wrong you need to check all the components, not just a single one.

On the walks I've skipped back to seventies Bowie in "The Man Who Sold The World"  and "Hunky Dory". Even though they are forty years old they still sound fresh and challenging and always get my thinking on how songs are constructed. While the music is important it can be minimal when driven by vocal melody. Song structures vary from acounstic to rock to orchestral some with dense almost indecipherable lyrics which still drag you in to the experience ("The Bewlay Brothers").

While "Hunky Dory" is vaguely poppier but not without it's barbs ("Queen Bitch", "Quicksand"), I still prefer the darkness of "The Man Who Sold The World" with th esinister "All The Madmen" and "After All" complemented by monolithicly relentless "Supermen", thefractured "Width of a Circle" and stright rock of "Running Gun Blues" and "Black Country Rock".

So that's what I've been up to.......