Saturday, 21 October 2017

Saucery


Another album I revisited last week was Pink Floyd's "A Saucerful of Secrets" . My mate Harry Clark always used to refer to it as "Y D" because of the lettering on the cover, which really does pique your interest and draw you in , even though it was just a single sleeve. The astological, astronomical and majikal diagrams, planets and bottles the tapestry wizard and the band photo all made me wonder what was happening inside, and  it really is a cornucopia of sixties psychedelia and Englishness (brass bands and Kazoos, Waters' war obsession "Corporal Clegg")

PinK Floyd = Y D

The album opens with "Let There Be More Light" with it's manic easternised, three note bass intro with slides into the pedestrian ponderous main riff  for theis first slab of space rock on the album. "Remember A Day" follows, a gorgeous Rick Wright song featuring a wonderful rising piano line, and this gives way to the ominous suicidal "Set The Controls For The Heart Of The Sun", dark but brilliant. "Corporal Clegg" rounds off side one, which is a more shall we say normal song despite the kazoo led coda march.

Side two starts with the twelve minute title track which has three sections, the first the most ominous part of the album, just sound an noise before morphing into a drum section from hell but finishing with a gorgeous organ based section (also knowwn as "Celestial Voices", possibly influenced by Vaughn Williams.)

"See Saw" follows and like "Corporal Clegg" is a fairly standard formayt song before the closer "Jugband Blues" Syd Barret's final outing with the band, which is a gorgeous jumble sale of sound and a fitting finale complete with brass band.

I've included the "Celestial Voices" from the "Live at Pompeii" film. Enjoy your Saturday evening.

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