Showing posts with label Classical Music. Show all posts
Showing posts with label Classical Music. Show all posts

Saturday 13 July 2019

Twitteringmore


Facebook is definitely finished on my phone but I feel I am getting too much political stuff on Twitter, well that has replaced the stuff I used to see and share on Facebook. I'm not sure if that's a good or bad thing, but it's nice not to let Facebook really track me as such, so no check ins or film sharing as such. I use twitter to share my blog posts as not many people read them on Facebook and Twitter gets me more (robot) attention. Twitter does however open my eyes to a lot of political stuff that I then try and check from other sources, and I do enjoy Mike Harding's posts which are often funny but always with a serious point, and Matt Haig's posts which are always helpful.

I do share the odd positive or funny picture but I am just waiting for my three month ban, as Facebook doesn't play by it's own rules.

I don't know if this will be a short or long post, but I got a couple of classical vinyl albums today (Bizet's "Carmen highlights" and Elgar's "Enigma Variations") from a charity shop and hopefully that will satisfy my vinylisation for a while. IT is good to just put and album on with no remote option and let it play, and that applies to classical and contemporary albums.

I also need to mention this is post 1984 and 1984 was the year my youngest daughter Kirsty was born and she has turned out to be talented, well adjusted , sensible with a reasonable taste in music, books and media , taking after her elder sister Juliet in many respects while being chalk and cheese in some areas. However as sisters and daughters they are as perfect as you could expect.

While I love "Carmen" I also love "Carmen (L'Oiseau Rebelle)" Malcolm McLaren's "Fans" , his take on the theme from Bizet's opera, which is a much harder edged piece but extremely listenable and that's what we shall go with.

Wednesday 26 June 2019

Stumbolero


While looking for something else I came across a flash mob take on Ravel's "Bolero" . I had seen a wonderful one for Beethoven's "Ode To Joy" from his Ninth Symphony and this is just as charming in the way it draws the crowd of all ages, races, sexes and any other division we have and they all love it. Enjoying the music, taking photographs and videos, and loving it.

The great thing about these flash mob performances is that you learn how the pieces are actually made up. It is truly fascinating.

There are many Classical Flash Mobs on Youtube, check this list here.

I know this is not a very meaty post but I just wanted to share this phenomenon with anyone who stumbles across this blog post.

Enjoy and maybe learn, and hopefully one day you will be lucky enough to see one......

Tuesday 25 December 2018

Christmas Day Too


Well it has been quiet and relaxing. Have exchanged messages and phone calls with friends ad family and done not very much at all, but it is Christmas Day. I've managed to avoid the cheesy Christmas Songs but heard an awful insipid instrumental take on The Pogues' "Fairytale of New York" on Classic FM. Classical music does not need to be insipid and soulless but Classic FM like local radio seem to usually go for the blandest fare (or should that be "fayre") they can find.

Look at the take on Beethoven's "Ode To Joy" in the last post, how good it that? And lets face it the list of Classical Music both from the past and contemporary is vast. I remember my secondary school music teacher managed to put me off Classical music because he would just stick an LP on and we had to listen to it for forty minutes. It wasn't built up, or explained, it was just there, and to a teenager, it was not cool.

So I leave you with "Troika" by Prokofiev from his "Lt Kije" suite which provided the motif for Greg Lake's "I Believe in Father Christmas". The suite also provide the motif for Sting's "Russians" too ("Romance"), so there is a lot og great music out there to listen to without resorting to sanitised blandness.

I hope you Christmas Day is progressing wonderfully.


Saturday 3 March 2012

Classical Music - The Good , The Bad and The Ugly


From an early age I learned to hate classical music. Music lessons at school consisted of a teacher putting on an album , flipping half way through , then nipping out for a fag leaving us to suffer the noise that we didnt want to listen to . But classical music was and still is deemed to be respectable , while everything else is for the uneducated proles.

Then there were great plays like Abigail's party in which Mantovani was presented as the height of sohistication , and the truly attrocious "Classic Rock" series , attempting to make rock respectable by having the melodies played by an orchestra , finally resulting in the even more attrocious "Hooked On Classics" series ,  classical music , with a disco beat "Stars On 45" style.

My reintroduction to classical music came through Alan Freeman playing "Mars" from Gustav Holst's Planets Suite on his Saturday Rock Show. Mars with its threatening martial rhythm is a superb piece , and prompted me to buy the album. A couple of listens and "Jupiter" is still my favourite instrumental piece from any genre.

Around this time John Peel started playing music by the Portsmouth Sinfonia and energetic Orchestra who basically couldnt play their instruments but tried , a bit. They backed Brian Eno on "Put A Straw Under Baby" from "Taking Tiger Mountain By Strategy" and are rumoured to be making a comeback. They had at least one album and a single "Classical Muddly" . Whatever "Hooked on Classics" could do , the Portsmouth Sinfonia could realy screw up and manage to entertain in the process.

Now we have stuff like Classic FM which just presents classical music as stuff to fall asleep to . This si not so , you have Stravinsky , Wagner and lost of challenging stuff , for fun the light opera of Gilbert & Sullivan . If you were to tell me that Beethoven's 9th or something by Mozart was the greatest piece of music ever written , I wouldnt argue. My own personal favourite complete suite is Carl Orff's Carmina Burana . In "O Fortuna" it displays on of the main problems with classical music , going from quiet below human hearing level to earsplitting crescendo in a minute or so. Sound systems cant really cope. Anyway below should be a playlist of the album for you to listen to. Just because a lot of it is bland , boring , long , in a foreign language , doesnt mean it isnt worth the effort. It is , but you do have to be selective!!

Carmina Burana - Carl Orff by Mike Singleton on Grooveshark