Oscar Wilde famously said "I can resist anything but temptation" and I am definitely the same, and the latest one is that this is post 322, and another 44 posts means that for this year I will have averaged more than one post a day. While I hopefully put quality over quantity, I started the year slowly but it April I posted fifty times that's like four every three days, and in August 2018 I posted 54 times for my #August50 sequence, so although I have trashed a December sequence, I may come up with one because I don't think I'll get the chance to do this ever again because of may inherent extreme laziness. 44 posts in 35 days is most definitely doable, nut we shall see whether I do do it.
Reading "On Some Faraway Beach" by David Sheppard is difficult. The writing and subject matter is excellent but the text is so small and dense that when I look at it my my screams, well not quite screams but becomes avers to, but I start reading and then I want to keep reading. It's just each time I open the book the format tries to push me away. It mentions "Musique Concrète" and a precursor and influence on some of Eno's output and this also is a perfect description for the effect the book seems to have on me. I was also surprised to find out that Brian Eno's surname is his family surname (though I knew of his brother Roger Eno) but it's a contraction of the word Huguenot so that's something else that I have learned.
I've decided to included "Deserts" by Edgar Varese which is mentioned as an example of Musique Concrète, it is challenging and in my opinion interesting, I'm listening to it as I finish this off. I do like pieces that grab my attention, but it would certainly clear the house at a party, but it's a piece I was unaware of til this morning and has piqued my mind to explore the genre further..
I would definitely give it a try but I know a lot of people will dismiss it as rubbish, but, in my opibion, the function of all art is to have an effect and this certainly does.
