I am definitely becoming lazier and lazier. Also while I have a large CD and digital music collection, there are big chunks of it I have never heard and probably never will. It's similar with DVD. This week I have actually taken the DVD from it's place on the shelf, switched on the DVD player and switched the channel on the TV and actually watched the films. The two I watched were "The Golden Compass" which was excellent but has been on the shelf unplayed for ten years, and "Fight Club" (adapted from Chuck Palahniuk's novel) which has been there for even longer. Both these films are excellent, and I should have watched them years ago, but apathy and laziness has meant that despite knowing how good these are ("The Golden Compass" was the film of the first book in Philip Pullman's "His Dark Materials" series which is coming on TV from HBO and BBC).
I don't know if this is just a digital malaise, because my vinyl collection is always played when I purchase anything and I often share things on my Instagram Channel , but when you buy digitally it is so easy to put it on one side for later, and after a week or so it's forgotten about. If anthing gets put in a box or a drawer then thats usually it. I still listen to music digitally from my network and on my phone, but still eschew streaming services such as Spotify or Amazon as to use them without wifi means that your data gets consumed fairly quickly, so I load albums from my network to my Google Pixel which I may upgrade to a Pixel 3A in the future.
So one of the good things of being in the digital world is that I can share suitable music with you as I post entries on this blog, but I do think digital storage has turned us into magpies , buying things that we don't actually use or properlay appreciate. With that I will share "Digital" buy Joy Division with you with an excellent video taken from the equally excellent film "Control".
It was incredibly sad that we lost Prince this week , and while I do say the older we get the more this is bound to happen to us , he was younger than me , and infinitely more talented and sexier. A small man without a Napoleon complex, he let his talent do the speaking. My first album was the double 1999. He was soul and rock and rock and roll , sex and fun.
I actually heard some snide comments about him. "Well I wasn't surprised , he was just the same as Michael Jackson" . I can't even begin to educate that sort of idiocy.
With Spoon we even considered some of his songs 1999 , Cream and Peach come to mind . The guy could do anything . Two of his albums were given away free , because he could. He would sell out gigs , cared for his fans, got a bit arsey about his contract with Sony , and showed a sly sense of humour (or should that be humor) when he became "The Artist Formerly Know As Prince" , when asked how it was pronounced Prince Rogers Nelson answered "Christopher".
Now is the time to drag out your Prince collection and listen to it. And if you you haven't got a Prince collection , Why Not? Don't you dare use Spotify.
Anyway today is World Book Night where I join in marking William Shakespeare's passing by giving away copies of Matt Haig's Reasons To Stay Alive. A truly wonderful exhilarating book about how one man has dealt with a sever breakdown and depression. It is gorgeous, uplifting and if you don't get a copy from me BUY a copy . It is an amazing book.
And it also happens to be St George's Day. I have no problems with National Celebrations but I do have with Xenophobia , Racism and turning it into a marketing exercise for London based beer brands (Like St Patrick and Guinness) . Today at Newcastle Castle there is a big real Celebration with a Dragon and god knows what else.
Have a great day everyone , I'm gonna be in Newcastle giving books away and possibl visiting my friend Karen to see her new puppy in Kazbat's Den.
For years people have said this to me, and now there's a generation that has grown believing you shouldn't have to pay for music , films or anything really. It's a sad situation and a lot of it was casued by the greed of the already rich , when they saw how they could rip off their fans with the advent of CD (Elton John and Metallica I'm pointing the finger firmly at you). Also a little at Led Zeppelin with yet another round of remasters.
When music became digitally copyable (Is that a word) , it was the first time that everyday media could be stolen over and over again. Taping from the radio was always subject to interference and copying from vinyl had to be done in real time. But ......
Just because you can do something doesn't make it right ....
And just because a band is playing in a pub you shouldn't expect it to be free.
There's costs involved , they equipment , getting there , fuel and the graft put into to learning the music.
As for CDs , while recording can be done relatively cheaply and with digital distribution you don't need to risk a costly run of music that may not sell.
Spotify is not a good model for artists as it's based on a pay per play basis , so new artists , at the best, will just get exposure.
And this is what it means, every time you don't pay for something you are effectively shoplifting if
you don't have permission to take that item. Some artists give away their music and make their profit by charging a modest ten or twenty pounds for a gig . I have recently seen Nadine Shah and Du Blonde playing less than a tenner for tickets , having a brilliant night , and I bought their records too. In my small way keeping these people going. So this is really like the opening scene to Reservoir Dogs where the guy won't tip the waitress and the other guys take him to task, I'm one of the other guys.
So if you want to support music , get down to your record shop and buy some records, and get to see a band and pay to see them.
Would you work for nothing ? I think not ... so support music .
I thought the Smiths song was appropriate for this post.
Seems like a fair question. I once said that CDs were the McDonaldisation of music, MP3 and digital music even more so. All of a sudden album content became irrelevant. See this post from 2015 for more thoughts.
We see people doing mixtapes and playlists but anyone can list some songs or drag a couple of MP3 and share them , or share a bloody Spotify playlist, but there's hardly any personal investment and the chances are that the person receiving the said item will look at it and not bother listening to it. The iPod generation , or is it iPhone generation often don't even listen to whole songs let alone an album.
I once watche da bit of the X-Factor and the act covered the Moody Blues "Nights in White Satin" (a five minute song) which was cut to ninety seconds for the performance, so I wasn't impressed by that.
Digital media is great for when you are walking and this morning I was listening to the non album disk of "The Thrill of It All" by Roxy Music and "Sultanesque" came on, one of my favourites. It's a Bryan Ferry composition , five minutes of drone sound and was the "B" side of "Love Is The Drug" , and I used to love putting it on pub jukeboxes much to the annoyance of most of the clientele , but it is a great piece of music and a great example of Ferry's adventures in tone and sound, "South Downs" is another similar piece. I am thinking of buying th evinyl single because I like it so much.
So "Why Vinyl?" . Well thanks to the persuasion of my friend Marek at RPM I have a wonderful retro reconditioned record player, and when I listen to an album apart from providing a warm deep bas backbone to the music, there is no skipping or resequencing songs . You listen to the album , well at leas a side of it , and that is twenty minutes or so, which is long enough but not too long.
CDs are up to eighty minutes and digital streams can never end , so vinyl lets you listen in manageable chunks an dthe only choice you have is what to put on.
It is my preferred listening medium these days, although I listen to CDs and digital when I work from home , and digital when I am walking.
So I will share "Sultanesque" with you as the sun goes down on this November Tuesday.
My friend Royston posted a link to this blog post from KFMX (Lubbock's Rock Station) about the legacy of illegal downloading. It sums it up in a nutshell. Although I'm in two minds about the grammar , sould it be Metallica Was Right or Metallica Were Right. Anyway this post isn't about grammatical correctness it's about the whole music stealing thing , and where we are at today and why we are here today musically/ It's probably best to do it roughly in temporal order so I'll do it by decades:
Vinyl became established, first in 78 format with seven inch 45's becoming the single record content delivery device of preference. 12" 33rpm Albums named because sheet music was collected in albums was the modus operandii for Classical Music because of the length of the pieces , although spoken word albums came out that played at 16 rpm . If you look at a full featured vinyl record player that's what the 16 option is for. If you do want an classic record player take a look at RPM in Newcastle.
The thing is unless you had your own recording facilities in the 1950's the only way of stealing music was to actually shoplift or resort to burglary. Music theft was limited to plagiarism and blantant exploitation like Alan Freed's co composer credit on Chuck Berry's Motorvatin' because there had to be a white presence.
Music took of in this decade, and you had a proliferation of transistor radios and portable vinyl disc players, and affordable reel to reel tape recorders were available. These allowed you to record either from the record player, radio or television. However this was not widespread so artists and record companies just saw it as another marketing opportunity, however the BBC threatened prosecution of anyone who recorded TV programs , although they then later asked for recorded copies when trying to replace lost shows . Albums became more popular especially with bands like the Beatles and Beach Boys shifting industrial quantities and incidentally albums were commercially available on tape reels. Really record companies were seeding the ground without looking to the future.
This is when supposedly the shit hit the fan for record companies. Music was becoming more portable. The introduction of the 8-Track tape and more importantly the compact cassette tape. These were introduced by record companies again to sell product, but when cheap portable recorders were put on the market you would have thought that someone would have realised that customers would not just record their own voice or birdsong.
Lots of companies produced tapes and recorders and customers started recording music from TV and radio and records and sharing it with their friends. This was countered by the "Home Taping Is Killing Music" campaign. What actually was happening was that record companies saw a threat and adopted a terrible attitude that their market was comprised of thieves. Home taping went through the roof with the introduction of the Sony Walkman , because this meant that you could take music that you had paid for with you by copying to a C90 tape. Record companies didn't like this either because they saw it as a potential loss of revenue.
Companies started marketing pre recorded cassette tapes which sold well , but in a completely odd ploy Island started the 1+1 series with the album recorded on one side and the second side blank for you to record whatever you want on. The only image I could find was for the John Martyn album Grace and Danger, although these was a normal delivery method for Island completely encouraging people to tape music. I don't know if there is a caveat or disclaimer on the tape somewhere.
The portability of recording apparatus meant that bootlegs now became more prevalent, so as well as official releases , you could , if, ironically, you were prepared to pay way over the odds for usually substandard recordings.
The record industry tried introducing a high frequency signal on the vinyl record to combat taping, and finally introduced a 5% PRS levy on all tapes.
Home taping didn't kill music, if anything it helped spread the word. Although you could only record in real time, so you knew what you were doing. Though for the first time you could put together tapes for parties , driving , bus journeys, running but you still knew that you should really buy the records. However often you would get a tape from a friend, listen to it and then go out buy the album. The record companies didn't acknowledge this.
1980s:
This was the decade that changed everything. The record industry introduced the new cure all, the perfect indestructible medium of CD. This was a cold planning campaign by the music industry, they introduced very cheap CD players, CD players were part of the all in one music centres replacing the cumbersome vinyl turntable. People bought music centres not realising that this made their vinyl records obsolete. So they needed to buy CDs to replace the vinyl , except CDs were expensive £12
compared with around a fiver for the vinyl equivalent. Mid price albums were a bargain at a tenner. Now you weren't offered a trade in for your vinyl so you were paying for the medium. Did this mean that the music had no actual value?
But anyway this was a McDonaldisation moment for music, suddenly you had remote controls , you could program the way a CD was played , you could skip and repeat tracks, it was convenience for the ears. And you could program a CD and record it to cassette to make your mixtape.
The new medium had no clicks or background vinyl noise, and the first song I played on my new CD player was The Who's "Won't Get Fooled Again", played loud. A mistake I never made again. Previously the song was introduced as the needle hit the groove, this time the opening power chord just hit with no warning at all. That was my first impression of CD.
But again the music industry just saw a huge cash cow, but they were selling discs containing music converted to digital signals and guess what happened then......
1990s:
CD replaced floppy discs as a medium for computers. They could also be written to. Home computers were taking off, the internet was connecting people and at this time the music industry decided it was time for another change. CDs would deteriorate and were not as indestructible as we thought. They needed replacing. Incidentally I've had CDs for thiry years that are still fine.
The music industry told us we now had to but DAT . It's tape! Tapes break , get tangled , and you cant easily change the order, and a blank tape cost as much as a CD. DAT did have it's place but just became a specialist niche and never threatened CD's dominance. However......
The CD data was copied into a digital file stored on computer , this was MP3. It was not created by the industry so there was no regulation. People could copy albums to there computer and duplicate them to CD, but more importantly could use the internet to share music using peer to peer networks such as Napster.
People were ripping , sharing and downloading music and not paying for it. The music industry had given everything to the public on a plate. Like with cassette they tried legal downloads but included DRM which limited what devices you could play YOUR music one. It didn't work. Elton John and Metallica were the biggest voices behind the movement that eventually shut down the peer to peer network Napster citing the amounts of money they had lost. The thing is most of the people who downloaded stuff were actually doing it because they could, they would never have bought the music if they couldn't download it so the figures were irrelevant , and these artists didn't give a fig about their fans when the issued old product on CD , then brought out a new version with an extra track, ten brought out a remastered version , expecting fans to cough up money each time.
However in the days of pay per minute internet connection a friend of mine spent £30 to download a Basement Jaxx album he could have bought over the counter for a tenner.
The nineties were the decade where certain people began to expect music to be free, not realising how this affects the people who produce it. This was a direct result of the music industries pushing of CD uptake in the 80s without any thoughts of impact analysis.
The New Millennium:
The turn or the century digital music became the norm. The internet has become very fast , and they perception that music is free has driven down the price of CDs. These days a new Cd will set you back around a tenner, a new vinyl album will cost you twice that. If the cost of albums had kept pace since say, 1975, you would be paying £80 for a new album today. I've used Job Seekers Allowance as a guide for this , in 1975 I bought the new Pink Floyd album "Wish You Were Here", it cost me £3.25 , now JSA stands around £70.
People can listen to music of their choice free on Youtube , Spotify and any number of streaming services. The problem with these for the artist, is that royalties are paid on a pay per play basis. So if a track is streamed on Spotify an artist will get paid a very small fraction of a penny, if their record is played on the radio they'll be paid £50 (that is completely made up but it is a reasonable amount). I don't know what the answer is to this.
But this leaves us in a world where to make money bands have to charge a lot for gigs and merchandise and kids think that stuff (music and video) should be free.
However music is still vibrant and alive, record shops are still going strong especially with National Record Store Day . New music is still being produced and I still buy a CD a week of usually new music the latest being the Wooden Shjips album "Back To Land".
The music industry is continually bleating about lost profits and stealing , but in digitizing everything they have created something that can be stolen over and over again, although as recent trends have shown , sensible pricing and convenience will actually result in sales and income, otherwise iTunes would have died a death long ago, and they still cause havoc and inconvenience with their licensing and terms and conditions.
So that's it , possibly my longest ever blog post. Hope it didn't send you to sleep.
One of the things about working from home is that I was listening to 6Music a lot , and my inherent laziness means that unless a CD is with reaching distance I don't play it , but I have an app on my Kindle Fire called BubbleUPnP that wirelessly links to my digital collection (which Alexa can't / won't do , in fact it won't even play the music I have bought from Amazon , every time I ask it says I have to use Spotify which I won't on principle) so I've linked my Kindle Fire up to some Altec-Lansing speakers and now can play music at several touches of buttons and screens (I love how so many things are sold "at the touch of a button"). Here's an example on my Instagram channel.
I've discovered that my digital collection is missing several of my Captain Beefheart album so I need to excavate them from the box that they are in to add them , specifically "Clear Spot" and "The Spotlight Kid". "Trout Mask Replica" and "Unconditionally Guaranteed" are on there but there are a lot that need ripping from the CDs I have.
I am torn between sharing "Grow Fins" from "The Spotlight Kid" (with it's four / five note riff and incendiary harp sound) and "Orange Claw Hammer" from "Trout Mask Replica" (which was an unaccompanied sea shanty style , but I have one with musical backing, which I will share at some point but I found one with Frank Zappa on guitar) so I can't decide so will go with both , this Friday morning.
Three years back I wrote a history of music media in a post here, and at the weekend I nipped into Vinyl Guru and got talking with the lady in there about how when you buy vinyl you feel you have actually got something. You have sleeves, booklets and picture discs. I'm sure I did a post that said CDs were the McDonaldisation of music, all of a sudden you could skip songs , program the order , and the CD jewel cases are not something that look good, though they are very functional.
MP3 became even more dismissive of musical content, and a lot of the iPod generation can't even listen to a full song. When you wanted to record a tape for someone it had to be done in real time, even from CD, but now it's all Spotify and Deezer playlists which, lets face it can be done in thirty seconds, although a well done one can take time to put together.
These days I see a lot more people browsing the vinyl sections of shops and Newcastle now has a lot of shops where you can buy vinyl and this post has a list of them. One thing is there don't seem to be that many impressive covers such as Jethro Tull's "Thick as a Brick" newspaper cover, or Hawkwind's "In Search Of Space", although "Space Ritual" is a available in it's full six square foot fold out. I was in Reflex and noticed "Faust Tapes" was £25, when I bought the original release it was 49p !
Vinyl provides more than just music, and the shops often provide coffee and food while you browse. People still complain about the cost of music, but remember if albums had kept pace with inflation you would be paying £80 for an album.
When I was in Vinyl Guru I spotted a 12" copy of Biko by Peter Gabriel, which I mainly wanted for the "B" side "Shosholoza" which I don't think is officially available digitally, but I found this lovely rendition of it for you to enjoy.
When the opening notes on the solo piano start playing "Auld Lang Syne" you can be pretty certain that a Tom Waits song is on the way, and this came on the player today (I put it there so it's not magic like some people seem to attribute to iTunes, Dezzer and Spotify) and I have either forgotten it or not heard it before ... or maybe I have
I have been sharing quite a lot of Tom Waits recently and if you don't know his work you should really make the effort, you will be rewarded by one of the richest veins of songs by any writer, mined by Rod Stewart, Bruce Springsteen and The Eagles.
As he ages he does get further from the mainstream , but he was never really that mainstream, it's just that people with discerning taste appreciate the guy.
Anyway that's another gem I've shared with you and another post towards my #August50, and the sun is still shining very brightly.
Working from has got me listening to CDs again. I did start listening digitally , and because my record player is downstairs , vinyl is not an option. I am listening to CDs that I have probablty never played but felt I needed in my collection, so I am slowly working my way through th eBruce Springsteen "Sound Stage" 15 Cds of radio broadcast , plus today there have been a couple of Yes albums and a couple bt Stomu Yamash'ta .
I usually start the day with a bit of 6Music and then drift into the CDs.
I bought a lot of my music because I felyt I should have it and should support the artist , so yesterday I was listening to "Coconut" by The Archie Bronson Outfit. I don't know what possessed me to buy the album , whether it was a recommendation or I had heard something , but it was a great listen, and I also feel good that The Archie Bronson Outfit will have gor a decent chunk of the CD sale rather than the 0.000001p they would have got if I had listened to it on Spotify.
Other art forms require our support as well , however we do it , by either buying the art , paying an entrance fee or donating , or ideally from taxes , so artists don't have to worry when they are next going to eat.
Art can take many forms and all of them need our support, however we can, so buy , support , go and watch. We need art.
Continuing with #AnimalAugust (I am surprised I hav posted 18 times this month already), I am going to go with the beautiful "Beeswing" by Richard Thompson , one of my favourite singers , songwriters and guitarist.
There were a few options for number 22 notably "22" by Taylor Swift and "22" by the brilliant Lily Allen as well as 22 Dreams by Paul Weller , but I have stuck with "22 Proverbs" by John Greaves and Peter Blegvad , members of Slapp Happy and Henry Cow respectively , who produced so excellent challenging music in the seventies. I remember laughing at the cover of "Legend" and buying "Concerts" for the amazing line drawn cover.
I had read that Henry Cow had produced some of the most complex music committed to record but it certainly wasn't what I was expecting, although they were on Virgin Records this was not Mike Oldfield territory, you can see Henry Cow's influence in the music of The Fall. Slapp Happy were more influenced by 30's Berlin and the two bands collaborated on "Desperate Straights" and "In Praise of Learning". It was not a surprise that Greaves and Blegvad collaborated on "Kew Rhone" and drafted in Dagmar Krause on vocals for "22 Proverbs" and we have a live rendition here.
I don't think you will be up dancing for this and it may be a way of getting rid of unwanted guests, but I love this sort of stuff. It demands your attention, and let's face it, anyone who thinks music comes from iTunes or Spotify will last about five seconds.
Today I was going to use a bit of my free time to put together a slideshow of "The Murderous Memorandum" by David King, but I am in contact with him and his partner and my friend tattooist Sophia Gourley and sent a message that he should do that given that he is an excellent artist and musician / composer. I shared my Nick Cane / Dr Faustus video which has proven quite popular and you can enjoy it here.
So that means I need to find something else to put my talents to, I am learning a couple of songs which may find their way to my Youtube channel and I have a couple of deliveries scheduled.
I have the first two series of "Orange Is The New Black" which I am working through and am now on the final series of 30 Rock, but my TIVO disk is still 75% full so my Netflix trial is still on hold and I need to get a week of Now TV to watch series 3 of Westworld and Series 2 of Britannia.
I supposed that influenced the title of the post, and Home Is The New Work. I am wondering if people will have problems going back to an office environment if this ever gets back to normal. The situation has been predicted is so many dystopian future novels, and I am shocked how incompetent the UK and USA governments have been handling this.
As I am writing this I am listening to "Grand Hotel" by Procol Harum, and to be quite honest I don't think I have listened to it before and it is absolutely excellent. Windows Media Player and being at home is allowing me to explore my music collection a lot more than I have in years. iTunes and even MusicMatch were nowhere near as fast , efficient and convenient. People keep telling me a Kindle with Alexa is fine , but it keeps suggesting I get Spotify , and doesn't even reference the stuff I've bought on Amazon , and as for my ripped music , I can forget about that.
So we'll go with the title track from "Grand Hotel" and it is as impressive as it's title. Check it out.
Walking to work this morning was very quiet, almost deathly silent. I wasn't sure whether there were any buses running until I hit the third bus stop and there were people waiting and then a bus went in the other direction.
It is New Year's Eve so most people will be getting ready for parties and socia;lising and joining together, but through laziness and apathy I wont be. I find a lot of gathering become very cliquey and if you are not in with a group of people then you get the worst kind of loneliness , the one of being the outsider in a crowd of revellers.
There are times where you just want to be alone and I wouldn't expect anyone to be bothered on my behalf because it's my choice to stay away.
This also gives me a chance to catch up on films and TV and to read and to record things on this here blog although I think there are maybe half a dozen people who read it now, but even when the vistor numbers flatline I will keep on writing because essentially this is for me and it is under my control.
There is also a chance I will do a last last post before midnight hits and then we start of 2019, which is another year of opportunity for some, and hopefully we can become a more caring society.
We have seen HMV going under again and find it ironic that people bemoan that kids will never know the joy of browsing for records. The fact is HMV is a chain and when it held power it looked to to take out the competition, especially small local independents. I find it ironic that lots of people who are involved in local and independent business (especially arts and music) who are bemoaning this but suddenly become blind to local music shops and venues, preferring chains, Spotify and big venues.
It's like saying I'll never be able to watch comedy again because Michael McIntyre is no longer touring. When your choice of product is narrowed to the ones all over the media it destroys the grassroots.
I'm sorry if this seems a bit ranty but a perferct piece of music for this is The Mekons "Where Were You?" which probably applies to most of us in most situations.
So if this is my last post for 2018 Happy New Year.
Around fifteen years back I started my Song of The Salesman website and then I realised that I could ad advertising and sell related music from it. At it's height it was bringing in £500 a month , not it maybe hits £30 , but I keep it going as a hobby with monthly updates. Yesterday I removed two more online music links , namely GEMM who have gone to the wall and Play / Rakuten who have become fairly rubbish. This leaves Amazon and iTunes left as the only online iusic sellers that I can link to.
Emusic used to have a great model but that became shot to hell so I had to drop them , but the problem is that for the sellers that disappear there are no replacement models that will pay me for linking .
Ebay dropped me because I didn't make THEM enough money .
There are online services such as Spotify , but their model wouldn't mesh with mine, others come and go.
Below is a list of the affiliates who have come and gone, a lot still exist in one form or another:
Napster
GEMM
Some Russian Site
HMV
Virgin
Zavvi
Emusic
7Digital
WE7
Woolworths
Tesco
Asda
Ebay
There are probably a lot more but I just find it sad that I feel as though for music , online there is much less mainstream choice. There is still a lot of online presences worth looking into such as Noisetrade who make a lot of albums available free to promote music, Bandcamp , Soundcloud and many others. Music is certainly not dead , it's thriving , but it's the grass roots music makers who give us the choice , not the mainstream.
I suppose it's like the Supermarket model , their ultimate aim is to close down all the competition. Luckily I live in Newcastle and have The Grainger Market and lots of great local food shops like Medina.
Also if you look at online , many people will not venture beyond Facebook and Amazon when the sum of all human knowledge is at their disposal. TV is the same , with have a plethora o f media available but some people don't get beyond Eastenders , X-Factor and Britain's Got Talent.
The thing is there is so much out there if you just open your eyes, but as the bible quote says "There are none so blind as those that will not see"
Anyway , it's gorgeous out there , go out and find something worthwhile to enjoy , me , I'm going to see The Reet Hot Chilli Peppers tonight.
