Did Digital Nearly Kill Music ... And is Vinyl Bringing It Back To Life?

Three years back I wrote a history of music media in a post here, and at the weekend I nipped into Vinyl Guru and got talking with the lady in there about how when you buy vinyl you feel you have actually got something. You have sleeves, booklets and picture discs. I'm sure I did a post that said CDs were the McDonaldisation of music, all of a sudden you could skip songs , program the order , and the CD jewel cases are not something that look good, though they are very functional.

MP3 became even more dismissive of musical content, and a lot of the iPod generation can't even listen to a full song. When you wanted to record a tape for someone it had to be done in real time, even from CD, but now it's all Spotify and Deezer playlists which, lets face it can be done in thirty seconds, although a well done one can take time to put together.

These days I see a lot more people browsing the vinyl sections of shops and Newcastle now has a lot of shops where you can buy vinyl and this post has a list of them. One thing is there don't seem to be that many impressive covers such as Jethro Tull's "Thick as a Brick" newspaper cover, or Hawkwind's "In Search Of Space", although "Space Ritual" is a available in it's full six square foot fold out. I was in Reflex and noticed  "Faust Tapes" was £25, when I bought the original release it was 49p !

Vinyl provides more than just music, and the shops often provide coffee and food while you browse. People still complain about the cost of music, but remember if albums had kept pace with inflation you would be paying £80 for an album.

When I was in Vinyl Guru I spotted a 12" copy of Biko by Peter Gabriel, which I mainly wanted for the "B" side "Shosholoza" which I don't think is officially available digitally, but I found this lovely rendition of it for you to enjoy.

The Problem With Listening To David Bowie Albums

On this morning's walk I decided to put on David Bowie's "Scary Monsters and Super Creeps". I am still taken in by the dirty production sound on the music, but was almost shocked at the consistency of the songs on itl Almost every song is top notch, with the slightest of dips for "Scream Like A Baby" which would be a standout song on almost any other album.

Starting with "It's No Game #1" which is an amazing opener, into "Up The Hill Backwards" with it's mutant "Not Fade Away" intro riff, then the triumvirate of singles, the title track , "Ashes To Ashes" and "Fashion",, the "Teenage Wildlife" doesn't let up. "ScreamLike A Baby" is the slightest of lulls before we are hit with "Kingdom Come" (a Tom Verlaine song) and the closing reprise of "It's No Game #2". Absolutely stunning.

ANd here comes the problem with listening to David Bowie albums, and it is not actually a problem. My friend John Scott posted on Facebook here  his 10 favourite Bowie albums and asked for people's favourite three Bowie albums. I listed my three with the caveat that it would change tomorrow. Usually I say "Station To Station" or "The Man Who Sold The World" but you know my opinion on "Scary Monsters and Super Creeps".

Basically whichever Bowie album you are listening to is your favourite Bowie album. You don't skip songs on a Bowie album, you discover things you haven't heard before, which is a great situation to be in for any artist.

As well as that it's Friday so enjoy.

Octoberpost

This is intended to be a short post just to say I have equalled my record number of posts on this blog for a year and I still have just over two months of the year left.  It was helped by my #August50 sequence that was the first time I did fifty posts in a month , and I am sure I won't be doing that again any time soon.

As I'm writing this it's dark, fireworks are going off and dogs are barking. It should be illegal except on designated nights because it upsets and scares pets and it is nowhere near Guy Fawkes night or Bonfire Night whichever you want to call it or celebrate.

For some reasons Barclay James Harvest's "Octoberon" album came to mind, just for the title although I loved the cover I don't really know the album, but I do remember "Rock'n'Roll Star" being a single. They produced some great music but never really hit paydirt, though apparently they gave Harvest records it's name, and they had , among others, Pink Floyd on their roster.

I first got into them seeing them perform "Thank You" on  The Old Grey Whistle Test with its brilliant loping guitar riff and I've alwys enjoyed their music though they are not the top of my playlists.

Well my next post will set a new record, so I am sure that will happen before October fades away .....

Unsummer

Woke up at  quarter to six, drinking coffee and the first song on the radio is "Hurt" by Johnny Cash. Last night I watched Pointless, Letterbox and two episodes of "Black Sails" and had a butter pie for tea. Nights and mornings are drawing in and there is more dark than light. Summer is definitely gone for this year.

Having said that yesterday was like a summer's day .... minus the heat.

We have now hit Thursday this week and as you can tell by what I am writing, not much is happening at the moment, although I noticed signs of screen burn on my Google Pixel, so I changed the picture to The Huntress of Skipton Castle Woods which looks almost ghostly and ethereal on the phone. My friend Helen noted that that it might be scary to come across in the dark, which reminds me of a ghost story told to me by my good friend Chris who we lost six years back.

One night he was walking back from helping out bailing on a farm. It was late but was walking back over fields and it took him through a smallish wood. A way ahead of him he saw some rectangular grey shapes floating about a foot off the ground. He had had a few pints but started to get more perturbed as he looked round not having a clue what these things were. In the end he broke into a run and then ran into one of the shapes.....

...as he was brought down , all was revealed, the creature was a sheep with a black head and black legs. Another logical explanation for a supernatural ghostly event.

I found "Mad Alice Lane(A Ghost Story)" by Pete Lawlor (ex of Stiltskin) to go with this. I don't know if this is readily available but was used in a Land Rover advert in 1996, still a very atmospheric song. I love it. It's on a "Spirit of New Age" compilation and this is what Pete says:

"Mad Alice Lane. I named this after a spooky alleyway I walked past before doing a gig in York. It was used in the Landrover commercial made by Nils and Roland (Harfensixpence is better than Harfenpenny is better than...) at Dorlands."

Enjoy your Thursday.

Television....Another Time Vampire

Over the last two evenings I could have done many things, but what I actually did was catch up on a few TV shows and also watch a few entertaining quiz shows. Pointless and Letterbox are entertaining and make you think (not too hard)  but are hardly essential viewing, but do pass an entertaining half hour. You watch both and that's an hour of your evening disposed of.

I don't know if this is affecting my social life, but the option of pressing a couple of buttons and actually being at home dos hold certain attractions, in that it's a lot easier, doesn't require any efforet and you can just go to bed when you finish. You probably have all the food and drink you like on hand and I have the added convenience of two  six til eleven convenience stores and several excellent takeawys and restaurants a short walk away.

It not so much me being anti social as me being lazy, there are events to attend, and people to share time with but more and more I am showing a preference for staying in and watching TV. This may have also been exacerbated by my anaemia / iron deficiency and I have been trying to address that and certainly I am feeling more energetic but not perfect. My recent illness may also have contributed but I do need to start getting out more, which may mean my "To Watch" list starts to grow to an unwatchable length.

Anyway it's Wednesday so I will continue on my way, and would be interested to hear what you think.

This Strange Thing Called Life

No it's not anything deep. I find it strange that Facebook keeps suggesting friends because they're friends of people who would probably wish I wasn't their Facebook Friend anyway. Sometimes I spend a couple of minutes removing these suggestions and then let it revert to what it was. Basically I respect others privacy and they certainly wouldn't want  me intruding on them.

I've also regressed to my teenage years in my reading, revisiting Michael Moorcock's "History of the Runestaff" and while the writing is a bit clunky the storytelling more than stands up for me but it's probably not up to GRR Martin's standard, but Moorcock is both influential and a cracking story teller. I have six hundred pages in this book then another twelve hundred pages of a couple of related volumes that I want to revisit so we are talking Tolkein's "Lord of the Rings" and Stephen King's "The Stand" in sheer volume, And at some point I want to revisit the former, I always found "The Stand" a bit bloated and could have been wrapped up in three hundred pages.

So it's Sunday night and today, among other things I ripped the live Springsteen 15 CD set so I can listen to it on my travels, and I have been impressed with what I have heard so far,

I'm going to choose another Moorcock / Blue Oyster Cult collaboration "The Great Sun Jester" from "Mirrors" based on the novel "The Winds of Limbo", it is a wonderful song and I still play it regularly, though when I first got the album this was the only song I liked, but the album has since grown on me as I posted here.

An Appreciation of Half Man Half Biscuit on National Album Day

I'm not a fan of National anything Day, and I'm sure Nigel Blackwell is of the same opinion, he did write "National Shite Day", the closer on "CSI Ambleside" . When people say "Oh I'm only into 80's or 90's" music , if you mention Half Man Half Biscuit they just gawp and go on about ABC or Duran Duran (both fine bands).

I cant't remember the first song of their's I heard , whether it was "Trumpton Riots" or "All I Want For Christmas Is A Dukla Prague Away Kit", but the latter made me go out and buy their their first album, and I just loved "Dickie Davies Eyes" and was disturbed when they split after that hit number one in the Independant Charts.

There is a lot in the Guardian about the band and until I read this I didn't know Nigel did advert voice overs, the article is here but there are quite a few see here. This is the bit about how the first album came about.

"Their record label then, as now, is Probe Plus - as ramshackle and free-spirited an independent as one could find anywhere. Probe operates from the Liverpool home of its proprietor, Geoff Davies, whose rambling Sefton Park manse is cluttered with Biscuit ephemera. Some of HMHB's more celebrated merchandise includes collectors' item teatowels (Some Call It Godcore tour - six dates in eight weeks) and the almost unobtainable McIntyre, Treadmore & Davitt mugs. They are an unusual pop group. Blackwell is a most unusual fellow.

Davies vividly remembers him coming into the Probe shop with his demo tape. "I looked at the back of the cassette and it was full of things like The Len Ganley Stance and Venus In Flares. I said to him: 'If the songs are half as good as the titles, we'll do it.' I was listening to the tape with my partner that night as we drove home and neither of us could believe what we were hearing. The lyrics and the subjects were astonishing, and probably actionable - but I called Nige the next day to say that we'd do an album."

To Davies's astonishment, Blackwell turned up on his doorstep a couple of days later with the finished master tapes of the album. "He just said to me: 'This is it. I've done it. That'll be £40, please.'"

"I might've told him it was 40," concedes Blackwell, "but I think it was more like 30. We recorded at Vulcan Studios. They'd just got in this eight-track studio upstairs and Half Man Half Biscuit were the guinea pigs. We went in. We did it. We put it out." "

Their site here has a list of a lot of radio sessions , and the Brampton one contains the definitive version of "24 Hour Garage People" and a three way interview between Andy Kershaw, Geoff Davies and Nigel Blackwell, in which Andy describes them as England's premier folk band. These were available for free download but removed when people started selling them when John Peel passed on, but I do have copies of the sessions and if you want a copy please contact me.

I love their very black humour "Blood On The Quad" , social observation "Lord Hereford's Knob" and pure charm "What Is Chatteris" and they always leave you with a smile on your face.

The lyric project here allows you to read their lyrics and enjoy the sheer poetry of Nigel's penmanship.

If there's a record of their's missing from your collection today is a good day to fill that hole.

Have a good one.