Friday, 21 December 2018

I Shot A Man In Tesco ... Just To Watch Him Die

Over the last couple of days I've been listening to "90 Bisodol(Crimond)" and been slightly taken aback by it's sheer quality and brilliance. Saying that, you can probably apple that to most Half Man Half Biscuit albums.

I once said that whatever Bowie album you are listening to is your favourite Bowie album after listening to "Scary Monsters (and Super Creeps)"  (post here) and in the HMHB canon "90 Bisodol(Crimond)" certainly lives up to that.

There are a couple of songs that are maybe not quite as good as the rest, but still great none the less and or me these are "Excavating Rita" and "Something's Rotten In The Back of Iceland" and they are crammed full of excellent wordsmithery and litererary references, and these are the least good bits of the album, which emphasises how good it really is.

"The Coroner's Footnote" and "RSVP" are both lovely tunes with a very dark twist where you don't know whether to laugh or grimace. I just enjoy.

In the middle of the album (running wise) is "Descent Of The Stiperstones" (I think it should be spelt Styperstones for some reason) which is the big song on the album, and excellent off kilter Crossroads narrative ("The Crazy World of Arthur Brownlow"). For some reason I though this was the closer but no matter, there is a lot of great stuff still to come.

The title is taken from a great line in "L’Enfer C’Est Les Autres" and that line playfully plagiarising a line from "Folsom Prison Blues" by Johnny Cash, and this album is a really great end to end play. The finale "Rock and Roll Is Full of Bad Wools" (I still don't know what that means) is a right on swipe and the majority of plastic football fans that have grown up thinking it the top six of the Premier League, Real Madrid, Barcelona , PSG or any team with money and it does mention Roots Hall.

Have a brilliant Christmas everyone, Yule love it.

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