After The Late Show .....

I'm considering going to bed now (just after eight). Obviously there are times when I'm wide awake but others where I feel I'm wrecked, although compus mentis enough to pen a few words. Part of this is also the attempt to hit fifty posts this month, which I didn't set out to do , but the fact I got another #TenAlbumsInTenDays nomination meant that combined with #AprilSongs (which finishes tomorrow) meant that I posted a few more selections than I expected to.

Wreckless Eric has just been on Marc Riley's 6Music show talking about working with Tom Petersson of Cheap Trick and I remember buying the "Live at Budokan" on yellow vinyl in 1978, and because this am slightly tempted by getting it again. I'm quite surprised that I've never mentioned Wreckless Eric on this blog as I have been a fan since I first heard him in 1977, although I suppose I've rectified that now.

So who do I soundtrack this with?

Well at Budokan they covered The Move's finest rock and roll moment "California Man" which is a little more metal than The Move's version but an excellent band playing an excellent song for you to enjoy.

Maybe it's bed time.

#AprilSongs #29 Blue Monday

This is the second "Blue Monday" I've included in the #AprilSongs sequence the other was Buddy Holly's cover of the Fats Domino Song (written by Dave Bartholomew) , I wasn't going to include the New Order song because for many people you say "Blue Monday" and it is synonymous with the Manchester band, but the rhythm was set by the drum machine malfunctioning and that reminded me of other instances of musical instrument malfunction.

Arthur Brown's Kingdom Come were one of the first bands to use a drum machine in a live environment but at one gig their Bentley Rhythm Ace went on a twenty minute uncontrolled drum solo, usually the realm of bloat rock drummers.

When Giorgio Moroder was putting together Donna Summer's "I Feel Love" something happened with the synthesiser / sequencer and resulting in a faint echo doubling of the notes giving it it's unique sound and probably helping become the iconic dance hit that it was and is.

So this is the penultimate #AprilSongs post focussing on mistakes that have resulted in some great music, enjoy your Monday.

Post 101 - When I First Heard Joe Strummer

I just realised that  this is post 101 this year and I can't let this go by without it's Joe Strummer and George Orwell connections. I've probably done this before (follow the related tags) but what the hell. I've now started to wonder whether I will hit 50 posts this month, it means three posts today and three tomorrow but the #AprilSongs sequence will account for two of those, and this will account for another one so it looks like I might almost match last years #August50 where I did 54 posts , but that is definitely going to stay as my highest number of monthly posts.

Anyway back to the point of this post, I first heard Joe Strummer singing the song "Keys To Your Heart" with his band the 101ers when John Peel played it. It appeared on the excellent Chiswick Records which was similar to Stiff (when Indie meant Indie) in being independent and similar to Stiff featuring New Wave, Punk and Pub Rock with others in it's eclectic spread, but I bought the record straight away. 

While not as attack minded as The Clash it is still a great rock record.

The band took their name from George Orwell's "1984" where Room 101 was where you were subjected to your greatest fear. I remember that scaring me as a kid when I saw the fifties BBC adaptation with Peter Cushing (you can watch it here) with the rat cage helmet contraption.

So that is how I first got into the music of Joe Strummer.

Connected Centurion

This is my hundredth post this year and in December 2011 I first did 100 posts in a year. You can get get an idea of how I have progressed / regressed / stayed the same by seeing what I posted here . I'm currently listening to a Stone Roses and influences playlist show presented by Tom Robinson and sent in my suggestion of "Halleluhwah" by Can from "Tago Mago" which "Fools Gold" has more than a similarity to.

Today I walked into town, I've completed my steps for the month, but thought I would walk in anyway as was a nice day. Before mobile devices things like this usually needed a decent amount of planning or assumptions, but now you are permanently connected to people and information almost anywhere that you are, especially in an occupied area.

So I will share "Halleluhwah" by Can so you can hear why I thought that was the Stone Roses although the actual bassline for "Fools Gold" was taken from "Know How" by "Young MC" which also sample "Theme From Shaft" by Isaac Hayes, which you can track down on Youtube or Amazon.

Hope your Sunday is going well

Late Again

That's twice in a week I've been up past midnight , mainly because of writing blog post, but last week was after a brilliant gig (see here) and yesterday I had been walmost hypnotised watching Stanley Kubrick's "2001:A Space Odyssey", fifty years on and some of the decor is very sixties but the classically accompanied space sequences are still mostly jaw dropping. Remember this was way before CGI so it was all models and backdrops and stop motion animation.

Anyway it means that I do have some way of activating myself to stay up beyond my usual ten o'clock, though I am not too sure what that is. Yes oit's doing something that stimulates my mind and brain, but I am not too sure what that is but it proves I can stay up late again.

That takes me back to 1972 , four years after  "2001:A Space Odyssey" was released , and I first heard Stealers Wheel on The Old Grey Whistle Test  playing "Late Again". Most people have only heard "Stuck In The Middle With You" from the ear removal scene in "Reservoir Dogs" but Joe Egan and Gerry Rafferty had a bit more in their locker than just that, and are worth investigating further, although Rafferty did hit paydirt with "Baker Street".

So although I was up til about two this morning , I got up at seven thirty, so doubt will have a nap this afternoon, and probably an early night tonight as I have a doctors appointment tomorrow morning.

Again my tangentiality has linked Stanley Kubrick, Arthur C. Clarke, The Men That Will Not Be Blamed For Nothing, The Old Grey Whistle Test, Stealers Wheel and Quentin Tarantino.

Enjoy your Sunday everyone.

#AprilSongs #28 National Avenue (Sunday Afternoon)

I know it's quarter past twelve on SUnday morning and I've just posted a piece featuring Red Guitars, but while checking out their music I noticed that "National Avenue(Sunday Afternoon) would be perfect to close the Sundays. Five minuted of lovely jangliness from the "Tales of the Expected" album that you can pick up on CD for about £25.

So this is going to be a very short post because of the time and the fact I've been to Edinburgh today, although it is Sunday and I could actually have a lie in.

So if you are reading this now and you are in the UK it's time for bed, if you are anywhere else leave a comment and enjoy the song.

There WAS a DIN

I'm so impressed with my new record player from RPM (which you can see in actione here)  I began to think of using my networked digital music through it to see how it performs and maybe even my DVD Audio which could be awesome.

One problem , no input although Marek told me there was one. The was a TAPE socket but it was blocked with a metal plug, until Marek told me to go and look again, amd sure enough , I'd missed the fact that it was a five pin DIN socket. Now seriously I  don't think I've ever used one since I was a teenager but it looks like I will be using one again.

At first I though of connecting it to a Bluetooth receiver but then I thought ,why not just plug it into the digital player and just remove another potential failure point. So I went to the garage and looked in my cable box and there wasn't one but I also thought that's full of cables and plugs that I have never ever used and probably never will , so I think it needs disposing of.

Too many times we keep things "just in case" and they just take up space and rot.

So what to play other than "Good Technology" by Red Guitars. Ironically their "America and Me" was one of the first pieces of vinyl I bought in this second phase as it wasn't available digitally. They are still very difficult to track down with vinyl being the safest option, I could find any download or streaming options, but they are an excellent band.