March On .. And Support Artists

I don't buy much music these days, my collection is huge and I am selling a lot of CDs I bought on Discogs. I've written previously that I have bought albums because I think I should have them . The good thing about this is that the artist get's supported from the initial sale , although subsequent resales don't actually benefit the artist although often money I get from Discogs sales does by music. This week, although I don't need it I have ordered an album by Deodato and singles by The KLF and Roger Williams on vinyl. 

The albums I have for sale I have in a stack next to my desk and I actually listen to them to see if they are worth keeping. I think one or two have made me think "Why the hell did I buy that?" but most ate worth listening to. I am currently listening to a five disc budget reggae compilation called "The A To Zion" and it is rather good but it's still for sale.

Other's like "Meet The Humans" by Steve Mason (ex of the Beta Band) were so good that I pulled it from the store. I have the attitude that if you put something in a box or drawer that that's it , it's not going to be played, but yesterday I was listening to a Randy Newman box and after the five excellent discs of his Americana I remember I had a couple in the "N" box , and next to those two was an NWA compilation , so three discs for that box actually got played yesterday.

The main reason I am writing this is that I got a missive from Jordan Reyne on Bandcamp about her new album Chapter Zero  . Jordan does not put her music on leech like streaming services like Spotify or Apple Music that make a fortune for their owners but pay the artist a pittance. I cannot see how the model can properly work, but for almost all artists it doesn't so if you share a Spotify playlist with me you go down in my estimation.

Ever since I saw her opening for The Men That Will Not Be Blamed For Nothing at Think Tank? (see here) six years ago she has remained the most impressively original artist I have ever seen or heard. She is also a very approachable person , and her set that day was so stunning that I bought three CDs on the spot. So a new album is always an essential purchase , and buying from Bandcamp ensures that artist gets fair recompense for their work.

I am looking forward to hearing the new album and you gat a digital copy of all her work here for about thirty quid. Not only is she a musician she puts together videos for her songs on her YouTube channel here. You will be impressed.

Though it's the opener from here last album "Bardo" , "Then They Came For You" shows her video creation skills off, and is a song for our times.

Classical Ruination

I said this year I wouldn't post as much, last year it was over a post a day, but this is post 188 so that is still and average of a post every two days, although some gaps between postings have been bigger than that , and obviously this is a post straight after yesterdays post.

I've listened to a chepo compilation called "Rock Instrumental Classics: Volume 3 - The Seventies" which barring Edgar Winter's "Frankenstein" , Electric Light Orchestra's "Daybreaker" and "Apricot Brandy" by Rhinoceros , is made up of funk and pop. There is "Rock and Roll Part 2" by Gary Glitter (and yes Paul Gadd , is an evil , vile person quite rightly behind bars, but should that stop us from appreciating the work of the rest of the band and his cowriter Mike Leander?) which it compares to "Tusk" by Fleetwood Mac , in that there's no real tune just a relentless sound with primeval calls and is still, in my opinion and impressive pop record , but I hope Gadd's royalties have been sequestered to help the sort of people the vile man abused.

Anyway in the songs on th ealbum are "Joy" by Apollo 100 a take on "Jesu Joy of Man's Desire", one of my favourite Bach pieces , "Also Sprach Zarathustra(2001)" an jazz take on the Strauss piece by Deodato , and "A Fifth of Beethoven" by Walter Murphy , all of which are more than enjoyable , especially the Deodato one. That's three classical lifts on one single disc compilation.

Manfred Mann's Earthband got permission from Gustav Holst's estate to use the composer's theme from "Jupiter" in "The Planets" suite in their single "Joybringer" . Keith Emerson with The Nice and Emerson Lake and Palmer plundered the classics  impressively over the years , with Mussorsky and Copland featuring highly in the band's repetoire.

Lots of pop songs left classical themes and melodies , Pachelbel's "Canon" reappearing so many times in the charts in various guises.

I've hardly scratched the surface on this, but will leave it here for now.

Listen Now

We often do things that may become monotonous if they are seemingly long tasks. I like walking , but the nature of walking means it takes time , and in this lockdown often the paths I take are repetitive. It's the same with work, you often have to do repetitive tasks or do tasks that require repetition.

Although your mind needs to be on the task it also wants (or mine does) something to break up the repetition , and I find listening to music is a great way of making repetitive things fly by. I had been walking but not listening to music and this week (because it's cold and my headphones keep my ears warm) I goy out the headphones and have listened to Roxy Music and Janelle Monae , and given that it's only 2°C outside I will need them today.

Workwise , working from home, enables me to listen while I do work , and share what I'm listening to on my Instagram channel. My Rhino box sets (when they came out it was roughly five albums for a tenner) have provided a lot of listening, recently that has been Grunge , Jean-Luc Ponty , Cockney Rebel and De John,

Each day I don't know what I am going to listen to , and this actually means I am not listening to the radio , but sometimes your own choice is a good thing to trust . During th eseventies there were two instrumentals that I loved , one was Deodato's take on Richard Strauss' "Also Sprach Zarathustra" the the theme from Stanley Kubrick's "2001" , and  Roger Williams take of Bach's "Toccata" used as the them to "Rollerball" in 1975 , so I will share both of those with you , which you may or may not enjoy on this cold Friday Morning.