Silently Silent

I am now finding "The Complete John Silence Stories" by Algernon Blackwood a chore. I complained that there was no white space but there is a little between chapter two and threee. I will stick with it but it is definitely a reading slog, almost like a Thomas Hardy novel or the like. The concepts are good but delivered in a terribly boring way.

I recently discovered that my American Amazon Author page has a feed from this blog which you can see here. It only shows on the .com site but not on others. C'est La Vie.

The music is "Spirits In The Night" by Manfred Mann's Earthband

Mike Singleton - Vocal Stories

I am not sure if you are aware of my writing on Vocal but these are a few of my stories if you would like to sample them:

1. Barter Books - An Amazing Bookshop In A Railway Station In Alnwick
2. The Plagiaristic Poetry Series - Poems Taken From Random-Themed Lines
3. Another Raven - A Take On Edgar Allen Poe's "The Raven"
4. The Cleaner - An Autism-Focused Christmas Special
5. An Owl In A Towel - A Beautiful Book by Lesley and Cheryl
6. Three Reasons Why I Love Settle - Scaleber Force, The Hoffman Kiln and Castlebergh Crag
7. The Accidental Book - Helping a Great Vocal Friend Resulted In Me Publishing My First Book
8. Call Me Les - A Great Friend and An Amazing Writer and this is her Instagram

Classical Ruination

I said this year I wouldn't post as much, last year it was over a post a day, but this is post 188 so that is still and average of a post every two days, although some gaps between postings have been bigger than that , and obviously this is a post straight after yesterdays post.

I've listened to a chepo compilation called "Rock Instrumental Classics: Volume 3 - The Seventies" which barring Edgar Winter's "Frankenstein" , Electric Light Orchestra's "Daybreaker" and "Apricot Brandy" by Rhinoceros , is made up of funk and pop. There is "Rock and Roll Part 2" by Gary Glitter (and yes Paul Gadd , is an evil , vile person quite rightly behind bars, but should that stop us from appreciating the work of the rest of the band and his cowriter Mike Leander?) which it compares to "Tusk" by Fleetwood Mac , in that there's no real tune just a relentless sound with primeval calls and is still, in my opinion and impressive pop record , but I hope Gadd's royalties have been sequestered to help the sort of people the vile man abused.

Anyway in the songs on th ealbum are "Joy" by Apollo 100 a take on "Jesu Joy of Man's Desire", one of my favourite Bach pieces , "Also Sprach Zarathustra(2001)" an jazz take on the Strauss piece by Deodato , and "A Fifth of Beethoven" by Walter Murphy , all of which are more than enjoyable , especially the Deodato one. That's three classical lifts on one single disc compilation.

Manfred Mann's Earthband got permission from Gustav Holst's estate to use the composer's theme from "Jupiter" in "The Planets" suite in their single "Joybringer" . Keith Emerson with The Nice and Emerson Lake and Palmer plundered the classics  impressively over the years , with Mussorsky and Copland featuring highly in the band's repetoire.

Lots of pop songs left classical themes and melodies , Pachelbel's "Canon" reappearing so many times in the charts in various guises.

I've hardly scratched the surface on this, but will leave it here for now.

No-one Sings XXXX Like XXXX

It's funny how reading a book can inspire you to write something. I'm still on "Tom Waits on Tom Waits" a part where he's disparaging, to say the least about covers of his songs ("Ol' 55" by The Eagles and "Heart of Saturday Night" by Jerry Jeff Walker. Then I started thinking about covers of songs and even why people start making music.

Everyone starts playing because they hear someone else, since the invention of radio that has been every westerners kick off for making music, and as radio spreads it will be everyone's starting point, if they are going to play, although records and TV are also other sources.

I remember an advertising line that said "No One Sings Dylan Like Dylan" , but lots of people covered Dylan and improved on the original, thing The Byrds' "Mr Tambourine Man", Manfred Mann;s numerous covers "Mighty Quinn" being a big hit, and when they transformed into Earthband they targeted Bruce Springsteen with "Spirits In The Night" and "Blinded By The Light" though still revisited Dylan with "Father of Day, Father of Night" , and then there is probably the best ever Dylan cover, Jimi Hendrix's "All Along The Watchtower".

I still love te Dylan originals, but it took me a long time to appreciate them, but all the songs above are improvements on the originals in my opinion, but I do believe no one can out do Tom Waits on a Tom Waits song. Rod Stewart did justice to "Tom Traubert's Blues" and "Downtown Train" and to some listeners they will be better that the originals. I like both but prefer the Waits versions.

Cpvers are generally how musicians and bands start before moving on to write their own stuff, which hopefully will be better than the stuff they were covering . The Beatles and The Rolling Stones started off with covers (and the last Rolling Stones album was all covers) , but that gives bands a good starting point.

Some bands are happy to continue doing that, and they usually find a appreciative audience for mainstream covers.

Anyway that's a lot on my opinion of covers, I will leave you with the Jimi Hendrix cover of  "All Along The Watchtower".

Good Night my friends.