Showing posts with label Roger Waters. Show all posts
Showing posts with label Roger Waters. Show all posts

Monday, 21 September 2020

Getting Lost - #FruitfulSeptember #8

September has been my sparsest month so far for posting , although there is still over a week left, so we shall see how much more I write.

Yesterday I went for a walk and managed to sort of get lost, I though I was going to come up where the West Road meets Two Ball Lonnen but the road I was on was taking toward the centre of Newcastle with virtually no useful turn offs. So I wasn't really lost, just going down a road I've never walked down in twenty odd years of living here , alth I must I gone down it on the Number 1 Stagecoach bus. I finally came up to West Road via The Temple of Antenociticus , Roman Ruins , which you can see here on my Instagram channel.

One my walk one the albums I was listening to was "Music From The Body" from the film "The Body" by Ron Geesin and Roger Waters . Geesin had worked with Waters on "Atom Heart Mother" by Pink Floyd , and the album is actually a joy to listen to , with lots of short pieces and songs that hark to "Dark Side of The Moon" Floyd. Well worth a listen although not everyone's cup of tea. 

I  though I had a complete vinyl collection , although I know there are certain records that I wouldn't say know to you and over the weekend I remebered a couple of comic book covers which I would like. One was "Jailbreak" by Thin Lizzy with the Jom Fitzpatrick "Overlord" open out cut cover.

The other was "Who Will  Save The World?" by The Groundhogs where to comic provided teh story for the album. So that is two albums that are now on theire way.

On The Groundhogs' "Split" album was a song called "Cherry Red" and that falls in nicely for the #FruitfulSeptember sequnce. The Groundhogs produced a lot of heay rock abums are are definitely worth investigating, and I do believe they are still performing if you can catch them on the live circuit.

Monday, 13 May 2019

A Photograph


Usually when you have a hospital visit for a scan you are told to fast, and you vaguely know why but lats week his was brought home to me. I was having an Endoscopy but had forgotten about it so had some porridge in the morning . this was three ours before I had the camera pushed down my throat and everything was fine.

However....

They gave me photographs of my insides and one was "partially obscured by food". The clarity of the photographs was amazing, but this one brought it home in no uncertain terms why you need to fast and drink only water or black coffee or tea, It is so you don't obscure the photographs with food.

Only a short post but thought that I could just share this with youso if it happens to you you know why. And keeping with the body theme ......

I've decided to go with a song from the soundtrack of the Roy Battersby documentary The Body  (IMDB here) by Roger Waters and Ron Geesin who also collaborated on Pink Floyd's "Atom Heart Mother". The film also features Vanessa Redgrave.



Sunday, 2 December 2018

Two Suns


When I've been looking for music to share the image of this Pink Floyd song is always there in the selection list, so this has come thanks to Youtube prompting. It is a wonderful song, with a great evocative title "Two Suns In The Sunset" referring to a nuclear blast although the song is anything but based on the music but but the words do tear into you.

It's from "The Final Cut" which I think was Roger Waters finale with the band.

I suppose this song has been haunting me and now I have shared it with you, in it's brilliant bittersweetness of the finality of life, but the song will finish and life will continue but we do need that memento mori to keep us grounded in reality.

It is late on Sunday night and I'm in the basement lounge of the Settle holiday cottage having watched a few interesting programs tonight. I am not sure what tomorrow will bring but I will see Mike Harding, and , weather permitting, may go to the top of Castlebergh Crag above Settle to get some views of the place.
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Thursday, 15 November 2018

Remember A Day


I walked into work this morning as was listening to Thousand Yard Stare's "Live at Electric Studios" and had been wondering who the intro to the instrumental "Petrichor" remind me of, and today realised it was post Roger Waters Pink Floyd, pretty threatening before returning to familiar TYS territory.

The album is excellent but I have been listening to a lot of them this week so decided to to go to Floyd's last album that featured Syd Barrett, "A Saucerful of Secrets" which my friend Harry Clark referred to as "Y D" because of the titling on the cover, which is one of those that you can always lose yourself in wuth it's magu, planets and magical and alchemical devices and colouring.

The secongd song in is the one I took the post title from and still one of my favourites though I first heard it on "Relics" an early cheap compilation featuring a Nick Mason drawn Heath Robinson like cover, another that you can sit andlook at and lose yourself in though it's better to have the vinyl version than the CD or digital version.

I've shared a version used as a soundtack to the Japanese animation "The Wanderer" for you to enjoy.

Sunday, 7 October 2018

Pastoral


I didn't really write last week, though I was on holiday, although as I was doing what I wanted I would have expected to write even more. The main thing about a holiday is to get away for the pressure of having to do things although you do force yourself to do things because you are on holiday.

One of the days we did the Dalemain Loop which is a six mile part of the larger Ullswater Way , taking in Dacre and Pooley Bridge before returning to Dalemain Hall. There's some images here if you want to see.

Dalemain Hall contains a hell of a lot of marmalade so i helped myself to a couple of jars, and the people there are very helpful.

In Pooley Bridge I had some coffee and cake at Granny Dowbekin's and later visited The Crown next door for some excellent food. Granny Dowbekin's had an excellent range of food including a decent spread of vegan options.

The Crown's food was excellent including courgette fritters which you can see here.

At one point we were walking along the river and a bird took off and it reminded me of the sound effect used in Pink Floyd's "Grantchester Meadows" which was part of the Roger Waters solo section on the studio section "Ummagumma" so I will include that for this post.



Saturday, 13 January 2018

Careful With That Axe Eugene - Five Words and a Scream


This morning I went to the local Post Office depot to pick up an item "too big" for my letterbox. Because it was early it was a walk across the park and down Stamfordham Road and I got there ten minutes early.

The album I was listening to was the live disc of Pink Floyd's "Ummagumma" and for the firsy yime I noticed that the rhythm is provided by the guitars, with the drums used more as a musical embellishment whereas on most rock songs it's the other way round, especially on a lot of modern songs where rhytm machines and sequencers are used. I remember when I bought it as a teenager from a record shop at Lane Ends in Preston, the rather haughty guy dismissed me with "We don't sell singles" instantly displaying his musical ignorance. Needless to say I never revisited that shop.

The second song, although it's not really a song more a jam piece and it goes on for a hypnotic eight minutes. The lyrics consist on the title whispered once followed by a scream, and that's it. Then I started thinking (over analsing of course) what was this about.

Was it a murder?

Was it a suicide?

Was it an unsatisfied plea for mercy?

The singer is the one who screams so is he the victim or does the singer take  multiple parts?

All this from five words and a scream.

I've included the version from "Live at Pompeii" for you analysis although this has a few more words in it, some Roger Waters indulgence.

Anyway this is far too deep for a Saturday morning, have a brilliant day everbody.

Friday, 15 September 2017

Afternoon Light


Today we have had dark clouds a smattering of rain and I have the light on because it's dark out side. It's not three o' clock yet. I can see a touch of blue sky in the distance, so no doubt in quarter o fan hour it'll be a bright summers day , and right enough it is, so I can switch my light out.

I've succumbed and had a smart meter fitted so my power supplier, OVO, know what I am using every minute of the day.

My DNLA server has been playing up a bit, but it's now finally working. I'm not sure what the problem is as I think Window 10 is deleting applications at random, so the music was just not moving but maybe it was taking it's time to find the actual file even though it had the file name indexed.

I actually wanted Pink Floyd's "Atom Heart Mother", but I've made do with my favourite ABBA song "The Visitors", and wonderful driving piece of dark paranoia, and you can dance to it (if you can dance and feel so inclined, I can't and don't).

So anyway this is just a very very short post about what you manage to do while having a Smart Meter fitted. I was shocked about how much they had to put in a replace to get it working, although the gas meter was obviously a bit complex.

Anyway I now have "Atom Heart Mother" playing on the sound system, so my Kindle Fire and Soundbar set up is now working which is a good thing. I love the sound of Roger Waters' bass on the introduction to the 23 minute incredible piece influenced by Scot Ron Geesin with full brass band and choir, and rather than share the Floyd version with you I'll share a live cover version by some French musicians that is quite amazing, it's at the Théâtre du Chateletand features Ron Geesin on keyboards.Ron did a film soundratck for a film called "The Body" with Roger Waters.

Enjoy this sunny afternoon my friends... the weekend is almost here.


Monday, 24 October 2016

One Two Free Four - #ALifeInNumbers #34


A couple of years ago Pink Floyd took out a court injunction to stop albums being sold as individual songs. While I understand this for an artistic integrity point of view, when you are selling, the aim is to make money, and surely it is better to receive a pound or two for two songs that the buyer wants than lose ten pounds that would have been the cost of the album. They won the case but must have changed their minds because you can buy the songs individually now.

I do prefer putting and album on and listening to all of it , but digital music gave us the skip, repeat and program options  and these days there are people who cannot stay to the end on a three minute song. I remember watching an artist on X-Factor covering "Nights In White Satin"  by the Moody Blues which clocks in at 5 minutes , but the X-Factor version finished at well under three minutes. When I mentioned this to the person who cajoled me into watching it, they said "Yeah they do that with all the songs otherwise you'd get bored" which confirmed my preconceptions that X-Factor had nothing to do with music.

Anyway this was one of those songs that was penned in as soon as I thought of doing this. It's "Free Four" by Pink Floyd from "Obscured By Clouds" the soundtrack to La Vallee by Barbet Schroeder. No reason apart from I have always loved the song with it's slight acoustic riff underpinned my Rick Wright's menacing synthesizer, Roger Water's deceptively dark lyrics and some Dave Gilmour perfunctory heavy guitar.

So enjoy this, it's time to go off to work now. Have a brilliant Monday my friends.