Showing posts with label Manfred Mann's Earthband. Show all posts
Showing posts with label Manfred Mann's Earthband. Show all posts

Friday 27 November 2020

Classical Ruination


I said this year I wouldn't post as much, last year it was over a post a day, but this is post 188 so that is still and average of a post every two days, although some gaps between postings have been bigger than that , and obviously this is a post straight after yesterdays post.

I've listened to a chepo compilation called "Rock Instrumental Classics: Volume 3 - The Seventies" which barring Edgar Winter's "Frankenstein" , Electric Light Orchestra's "Daybreaker" and "Apricot Brandy" by Rhinoceros , is made up of funk and pop. There is "Rock and Roll Part 2" by Gary Glitter (and yes Paul Gadd , is an evil , vile person quite rightly behind bars, but should that stop us from appreciating the work of the rest of the band and his cowriter Mike Leander?) which it compares to "Tusk" by Fleetwood Mac , in that there's no real tune just a relentless sound with primeval calls and is still, in my opinion and impressive pop record , but I hope Gadd's royalties have been sequestered to help the sort of people the vile man abused.

Anyway in the songs on th ealbum are "Joy" by Apollo 100 a take on "Jesu Joy of Man's Desire", one of my favourite Bach pieces , "Also Sprach Zarathustra(2001)" an jazz take on the Strauss piece by Deodato , and "A Fifth of Beethoven" by Walter Murphy , all of which are more than enjoyable , especially the Deodato one. That's three classical lifts on one single disc compilation.

Manfred Mann's Earthband got permission from Gustav Holst's estate to use the composer's theme from "Jupiter" in "The Planets" suite in their single "Joybringer" . Keith Emerson with The Nice and Emerson Lake and Palmer plundered the classics  impressively over the years , with Mussorsky and Copland featuring highly in the band's repetoire.

Lots of pop songs left classical themes and melodies , Pachelbel's "Canon" reappearing so many times in the charts in various guises.

I've hardly scratched the surface on this, but will leave it here for now.

Friday 24 March 2017

No-one Sings XXXX Like XXXX


It's funny how reading a book can inspire you to write something. I'm still on "Tom Waits on Tom Waits" a part where he's disparaging, to say the least about covers of his songs ("Ol' 55" by The Eagles and "Heart of Saturday Night" by Jerry Jeff Walker. Then I started thinking about covers of songs and even why people start making music.

Everyone starts playing because they hear someone else, since the invention of radio that has been every westerners kick off for making music, and as radio spreads it will be everyone's starting point, if they are going to play, although records and TV are also other sources.

I remember an advertising line that said "No One Sings Dylan Like Dylan" , but lots of people covered Dylan and improved on the original, thing The Byrds' "Mr Tambourine Man", Manfred Mann;s numerous covers "Mighty Quinn" being a big hit, and when they transformed into Earthband they targeted Bruce Springsteen with "Spirits In The Night" and "Blinded By The Light" though still revisited Dylan with "Father of Day, Father of Night" , and then there is probably the best ever Dylan cover, Jimi Hendrix's "All Along The Watchtower".

I still love te Dylan originals, but it took me a long time to appreciate them, but all the songs above are improvements on the originals in my opinion, but I do believe no one can out do Tom Waits on a Tom Waits song. Rod Stewart did justice to "Tom Traubert's Blues" and "Downtown Train" and to some listeners they will be better that the originals. I like both but prefer the Waits versions.

Cpvers are generally how musicians and bands start before moving on to write their own stuff, which hopefully will be better than the stuff they were covering . The Beatles and The Rolling Stones started off with covers (and the last Rolling Stones album was all covers) , but that gives bands a good starting point.

Some bands are happy to continue doing that, and they usually find a appreciative audience for mainstream covers.

Anyway that's a lot on my opinion of covers, I will leave you with the Jimi Hendrix cover of  "All Along The Watchtower".

Good Night my friends.