That's the end of the first week at work in the new year and Preston North End have been edged out of the FA Cup by the not very mighty Arsenal,. It was similar to the Newcastle match , we should have buried them in the first half but we don't have a reliable striker. Newcastle had Mitrovic , Arsenal had Giroud, but Preston made their opponents look second best on the pitch (unlike the disaster at St James' Park). It's Saturday night and I haven't posted since Monday so thought I had best get something down.
My phone's Bluetooth still causes settings to stop, so I'm forced to use wired headphones. However the ones I have although foldable , and sound OK , are still really too big for my pocket. I really do need to look for something a little smaller, so I will do that after I post this.
I visited RPM and bought Charlemagne: The Omens of Death , a heavy metal album by Christopher Lee on Vinyl. I then visited my friend Krista in KOTA and The Long Play Cafe in The Grainger Market and told them about Christopher Lee's Heavy Metal forays , and example of which is here.
I was surprised that they were unaware of this facet of the great man's art. I've included "The Magic Of The Wizard's Dream" by Rhapsody featuring the great man on vocals.
I didn't want to use Janis Ian's "At 17" , it's a fine song bit thought I would peruse my collection and
discovered an old Jethro Tull "B" Side "17" now available on the"Stand Up" CD and it is a very fine song. I just love it. This is one of the things about having a large records collection (it doesn't matter what media they are on, they are records).
I have a vinyl copy of "Stand Up" and that doesn't have it on, so you need to get it digitally or need to get a 7" copy of "Sweet Dream"
Anyway the 'flu' is being kept at bay by either my smoothies, paracetamol or both , but they (Boots) won't let me have a 'flu' jab till I'm over it. Well they recommended I didn't have a 'flu' jab as is could make me much worse , so hopefully I will get sorted later in the week.
Right, time for work , have a brilliant Tuesday everybody.
Yesterday and today I have played a lot of vinyl on my GPO turntable, you can see a few posts on my Instagram Channel here . Music playing has sort of evolved , my own take on it is here , but while I sometimes use Youtube and did use Grooveshark , I am not a fan of streaming services. Radio stations are good because there is human intervention. Digital storage is convenient when you are on the move , but it can become background music.
Vinyl requires your attention, I have just listened to Wah Heat!'s "Seven Minutes To Midnight" and Holly Johnson's "Americanos" and now I have "The Moog Strikes Bach" by HansWurman playing . All of these records required more than the touch of a button to play , and it's a joy to see the vinyl spinning. You don't get that with CD or digital (although I am playing it through a digital soundbar and I do rip vinyl through the GPO deck to digital, but that is just for stuff that is not available digitally. It does amaze me the number of glaring omissions still not available digitally.
But this is the limit I mentioned in the title, after three minutes I may have to change the record, put it back in it's sleeve , get another one out and put it on the turntable. This is while I am typing this out. You have to give the vinyl your attention.
So I have to get on today, and as Prince Buster left us I am leaving you with his rendition of Judge Dread on vinyl on Blue Beat.
Time to go and do my stuff now, but playing vinyl is therapeutic and enjoyable.
Today I stumbled across another wonderful find , under The Tyne Bridge , next to Popolos , the Long Play Cafe. This place is gorgeous , it does coffee , cake on settees and couches , with retro record players from RPM , wonderful wall art , Bowie and The Beatles caught my eye and they sell second had vinyl , T-Shirts and other music..
They have an Anti Record Store Day wall display . When I asked them about this they told me that to participate in Record Store Day you have to pay a £300 registration then commit to buying NEW vinyl every month. If you deal in second hand stuff that's an overhead you can't justify. Record Store Day started out as a celebration of independence but it's turned in to another commercial troughing.
Anyway apart from everything I've mentioned they put on gigs , serve food, sell very reasonably priced vinyl (I resisted the Prince picture discs), I bought a copy of Genesis' Lamb Lies Down on Broadway , just so as I could read the libretto.
It was great chatting with staff and visitors , lots of people had just discovered the place like me.
Really it's worth a visit if you like good food , good company , good atmosphere , comfy chairs and vinyl , 7" and 12" , black , and other colours and picture discs.
Back In NYC is one of my favourite songs so it's an excuse to play it
For years people have said this to me, and now there's a generation that has grown believing you shouldn't have to pay for music , films or anything really. It's a sad situation and a lot of it was casued by the greed of the already rich , when they saw how they could rip off their fans with the advent of CD (Elton John and Metallica I'm pointing the finger firmly at you). Also a little at Led Zeppelin with yet another round of remasters.
When music became digitally copyable (Is that a word) , it was the first time that everyday media could be stolen over and over again. Taping from the radio was always subject to interference and copying from vinyl had to be done in real time. But ......
Just because you can do something doesn't make it right ....
And just because a band is playing in a pub you shouldn't expect it to be free.
There's costs involved , they equipment , getting there , fuel and the graft put into to learning the music.
As for CDs , while recording can be done relatively cheaply and with digital distribution you don't need to risk a costly run of music that may not sell.
Spotify is not a good model for artists as it's based on a pay per play basis , so new artists , at the best, will just get exposure.
And this is what it means, every time you don't pay for something you are effectively shoplifting if
you don't have permission to take that item. Some artists give away their music and make their profit by charging a modest ten or twenty pounds for a gig . I have recently seen Nadine Shah and Du Blonde playing less than a tenner for tickets , having a brilliant night , and I bought their records too. In my small way keeping these people going. So this is really like the opening scene to Reservoir Dogs where the guy won't tip the waitress and the other guys take him to task, I'm one of the other guys.
So if you want to support music , get down to your record shop and buy some records, and get to see a band and pay to see them.
Would you work for nothing ? I think not ... so support music .
I thought the Smiths song was appropriate for this post.
Yesterday I went to have my annual opticians eye text , and , with contact lenses it's still 20/20, despite being advised around 2003 that I would probably need to switch to wearing glasses. My opticians are excellent ( C4 Sightcare in Newcastle), I was mentioning the extremely excellent aftercare service from GPORetro and it turns out my optician is a jazz enthusiast and a frequenter of Reflex in Newcastle , we both agreed that John Coltrane's Giant Steps is tedious in the extreme but I told him that Miles Davis' Bitches Brew was worth revisiting as it sounds amazing , he wasn't two sure but said he will try it again. You don't tend to think of people who look after you in one way or another have lives outside what they do for you , and my optician is a vinyl enthusiast and a jazz musician. It's amazing what talking to people can reveal, and can make over the most mundane of things (like eye tests) go very quickly.
This weekend saw me mow the lawn this year for only the second time , and it's nearly June. The weather is nice and we have the Newcastle Unity Festival next weekend , followed by Preston North End's play off final against Swindon , then a Pop Will Eat Itself gig at the Riverside.
Thing about talking with people is they can put you onto good things it one way or another, like Meg Mac , and amazing singer who I had never heard of and now have to find more of her stuff. Enjoy
the excellent song above , just ordered the EP from Amazon.
If you isolate yourself from people you never see or hear things like this. There is so much we miss out on , and let's face it we can't experience everything , but nothing beats the feeling of finding something amazing that you were unaware of. Anyway still have lots of chores to do but good music to listen to while I'm doing it and thankful for every friend I have.
No it's not about the Post Office , it's about my vinyl record player , a GPO Attache Case model. It's a small player in an attache case type housing and I bought it a few months ago from JG Windows in Newcastle. The player is great and actually easily accommodates a full 12" vinyl record. It is perfect for what it does.
A Tiny GPO Manual
I hooked it up to my Bush Soundbar and the sound is excellent. But my only bugbear was the enclosed manual, it had been reduced so much that you cant even photograph it and enlarge it to see what all the buttons mean. Try it with the picture to to the right.. This meant that when I tried to record to MP3 it was very much guesswork. And of course I only have to convert stuff once in a blue moon so I forget which button (they are silver and small) is the record button.
So I went to the GPORetro website (who do all sorts of brilliant looking retro gear) and sent an email asking if they had the manual is PDF Format. This was a bout six o' clock on Saturday night. Within half an hour I had the document in my inbox , amazing service , so often you email suppliers and they'll take a week to get back/ I don't expect people to be on call for me 24/7 for things like this but it shows their commitment to excellent customer service.
So now I have a readable manual and would recommend that you visit the site . My niece bought the same turntable for her mum so obviously the appreciation of good things runs in our family. It's first thing Sunday Morning so time to get the papers, and get ready for Preston North End's second playoff game against Chesterfield.
My friend Royston posted a link to this blog post from KFMX (Lubbock's Rock Station) about the legacy of illegal downloading. It sums it up in a nutshell. Although I'm in two minds about the grammar , sould it be Metallica Was Right or Metallica Were Right. Anyway this post isn't about grammatical correctness it's about the whole music stealing thing , and where we are at today and why we are here today musically/ It's probably best to do it roughly in temporal order so I'll do it by decades:
Vinyl became established, first in 78 format with seven inch 45's becoming the single record content delivery device of preference. 12" 33rpm Albums named because sheet music was collected in albums was the modus operandii for Classical Music because of the length of the pieces , although spoken word albums came out that played at 16 rpm . If you look at a full featured vinyl record player that's what the 16 option is for. If you do want an classic record player take a look at RPM in Newcastle.
The thing is unless you had your own recording facilities in the 1950's the only way of stealing music was to actually shoplift or resort to burglary. Music theft was limited to plagiarism and blantant exploitation like Alan Freed's co composer credit on Chuck Berry's Motorvatin' because there had to be a white presence.
Music took of in this decade, and you had a proliferation of transistor radios and portable vinyl disc players, and affordable reel to reel tape recorders were available. These allowed you to record either from the record player, radio or television. However this was not widespread so artists and record companies just saw it as another marketing opportunity, however the BBC threatened prosecution of anyone who recorded TV programs , although they then later asked for recorded copies when trying to replace lost shows . Albums became more popular especially with bands like the Beatles and Beach Boys shifting industrial quantities and incidentally albums were commercially available on tape reels. Really record companies were seeding the ground without looking to the future.
This is when supposedly the shit hit the fan for record companies. Music was becoming more portable. The introduction of the 8-Track tape and more importantly the compact cassette tape. These were introduced by record companies again to sell product, but when cheap portable recorders were put on the market you would have thought that someone would have realised that customers would not just record their own voice or birdsong.
Lots of companies produced tapes and recorders and customers started recording music from TV and radio and records and sharing it with their friends. This was countered by the "Home Taping Is Killing Music" campaign. What actually was happening was that record companies saw a threat and adopted a terrible attitude that their market was comprised of thieves. Home taping went through the roof with the introduction of the Sony Walkman , because this meant that you could take music that you had paid for with you by copying to a C90 tape. Record companies didn't like this either because they saw it as a potential loss of revenue.
Companies started marketing pre recorded cassette tapes which sold well , but in a completely odd ploy Island started the 1+1 series with the album recorded on one side and the second side blank for you to record whatever you want on. The only image I could find was for the John Martyn album Grace and Danger, although these was a normal delivery method for Island completely encouraging people to tape music. I don't know if there is a caveat or disclaimer on the tape somewhere.
The portability of recording apparatus meant that bootlegs now became more prevalent, so as well as official releases , you could , if, ironically, you were prepared to pay way over the odds for usually substandard recordings.
The record industry tried introducing a high frequency signal on the vinyl record to combat taping, and finally introduced a 5% PRS levy on all tapes.
Home taping didn't kill music, if anything it helped spread the word. Although you could only record in real time, so you knew what you were doing. Though for the first time you could put together tapes for parties , driving , bus journeys, running but you still knew that you should really buy the records. However often you would get a tape from a friend, listen to it and then go out buy the album. The record companies didn't acknowledge this.
1980s:
This was the decade that changed everything. The record industry introduced the new cure all, the perfect indestructible medium of CD. This was a cold planning campaign by the music industry, they introduced very cheap CD players, CD players were part of the all in one music centres replacing the cumbersome vinyl turntable. People bought music centres not realising that this made their vinyl records obsolete. So they needed to buy CDs to replace the vinyl , except CDs were expensive £12
compared with around a fiver for the vinyl equivalent. Mid price albums were a bargain at a tenner. Now you weren't offered a trade in for your vinyl so you were paying for the medium. Did this mean that the music had no actual value?
But anyway this was a McDonaldisation moment for music, suddenly you had remote controls , you could program the way a CD was played , you could skip and repeat tracks, it was convenience for the ears. And you could program a CD and record it to cassette to make your mixtape.
The new medium had no clicks or background vinyl noise, and the first song I played on my new CD player was The Who's "Won't Get Fooled Again", played loud. A mistake I never made again. Previously the song was introduced as the needle hit the groove, this time the opening power chord just hit with no warning at all. That was my first impression of CD.
But again the music industry just saw a huge cash cow, but they were selling discs containing music converted to digital signals and guess what happened then......
1990s:
CD replaced floppy discs as a medium for computers. They could also be written to. Home computers were taking off, the internet was connecting people and at this time the music industry decided it was time for another change. CDs would deteriorate and were not as indestructible as we thought. They needed replacing. Incidentally I've had CDs for thiry years that are still fine.
The music industry told us we now had to but DAT . It's tape! Tapes break , get tangled , and you cant easily change the order, and a blank tape cost as much as a CD. DAT did have it's place but just became a specialist niche and never threatened CD's dominance. However......
The CD data was copied into a digital file stored on computer , this was MP3. It was not created by the industry so there was no regulation. People could copy albums to there computer and duplicate them to CD, but more importantly could use the internet to share music using peer to peer networks such as Napster.
People were ripping , sharing and downloading music and not paying for it. The music industry had given everything to the public on a plate. Like with cassette they tried legal downloads but included DRM which limited what devices you could play YOUR music one. It didn't work. Elton John and Metallica were the biggest voices behind the movement that eventually shut down the peer to peer network Napster citing the amounts of money they had lost. The thing is most of the people who downloaded stuff were actually doing it because they could, they would never have bought the music if they couldn't download it so the figures were irrelevant , and these artists didn't give a fig about their fans when the issued old product on CD , then brought out a new version with an extra track, ten brought out a remastered version , expecting fans to cough up money each time.
However in the days of pay per minute internet connection a friend of mine spent £30 to download a Basement Jaxx album he could have bought over the counter for a tenner.
The nineties were the decade where certain people began to expect music to be free, not realising how this affects the people who produce it. This was a direct result of the music industries pushing of CD uptake in the 80s without any thoughts of impact analysis.
The New Millennium:
The turn or the century digital music became the norm. The internet has become very fast , and they perception that music is free has driven down the price of CDs. These days a new Cd will set you back around a tenner, a new vinyl album will cost you twice that. If the cost of albums had kept pace since say, 1975, you would be paying £80 for a new album today. I've used Job Seekers Allowance as a guide for this , in 1975 I bought the new Pink Floyd album "Wish You Were Here", it cost me £3.25 , now JSA stands around £70.
People can listen to music of their choice free on Youtube , Spotify and any number of streaming services. The problem with these for the artist, is that royalties are paid on a pay per play basis. So if a track is streamed on Spotify an artist will get paid a very small fraction of a penny, if their record is played on the radio they'll be paid £50 (that is completely made up but it is a reasonable amount). I don't know what the answer is to this.
But this leaves us in a world where to make money bands have to charge a lot for gigs and merchandise and kids think that stuff (music and video) should be free.
However music is still vibrant and alive, record shops are still going strong especially with National Record Store Day . New music is still being produced and I still buy a CD a week of usually new music the latest being the Wooden Shjips album "Back To Land".
The music industry is continually bleating about lost profits and stealing , but in digitizing everything they have created something that can be stolen over and over again, although as recent trends have shown , sensible pricing and convenience will actually result in sales and income, otherwise iTunes would have died a death long ago, and they still cause havoc and inconvenience with their licensing and terms and conditions.
So that's it , possibly my longest ever blog post. Hope it didn't send you to sleep.
I may have posted this before , but Ampleforth along with Whitby is one of the few places I could probably live. Obviously I love Newcastle and that's where my life is full of friends and family, and I come from Preston and have lots of friends and family there.
This is about the fourth time we've stayed in Hardwick cottage and it provides the ability to be cut off along with the convenience of local amenities within walking distance, as well as pubs and the option to eat out or have take aways. The cottage is here. In May I thought that would be my final visit, but the situation has changed slightly and we will be back at the beginning of December and maybe again next year which really pleases me.
There are lots of small towns near such as Helmsley, Thirsk and Northallerton which I visited yesterday and shockingly found a vinyl record shop. I'm not a vinyl junkie but it was a pleasant surprise to actually find somewhere selling records just off the main street. The name of the shop is BetterDaze and has lots of vinyl, memorabilia, jukeboxes and record players, mainly rock and rock and roll. They also have a Facebook page here.
You're greeted by an Elvis figure when you enter the shop and there were quite a few people in there when I dropped by yesterday afternoon.
So I'm just having a great holiday here and am really enjoying it, and the Happy Days intro always puts a smile on my face. Have a great day everyone.
Just back from Whitby , whisch is a place I love , and this weekend turned to be better than normal despite the Magpie Cafe being closed for refurbishment. The weekend started on a hairy not negotiating drifting snow on the A171 in a car with low profile tyres . I am an adequate driver but not happy about being in a white out in a large vehicle with minimal traction. Still I spent five miles feeling safe behind a tractor cum snow plough which turned off , then eventually descended into Whitby ....
...arriving a Dillons. We were made to feel extremely welcome and stayed in the Troon room (check the link , it's all there). Our hosts Craig and Matt were brilliant being warm , helpful and excellent cooks (the breakfasts are ace , and I'm still full from this mornings breakfast that I had eight hours ago). The room was warm and comfortable and the situation in very easy walking distace of the centre of Whitby. Previously we have stayed at La Rosa , but both carry our highest recommendation and will be visiting again when we return next year.
The Formby Clock is situ at home, weekends CDs
I did my annual visit to Folk Devils where I purchased the latest Yo La Tengo album and a George Formy Clock , which is an innovative use of vinyl. The Vinyl District lists Folk Devils as in Scarborough despite having The Whitby address !!
The Record Shop With No Name
Kiss in The Record Shop With No Name
Close to Folk Devils is The Shambles Market and in there is the excellently stocked Record Shop With No Name . That's not the name of the shop, they just havent thought of a name for it despite being open for twelve months. They are well stocked with CDs and vinyl and great to see that Whitby has two record shops worth visiting.
On a sad note we found that Justin of the excellent Justin's Chocolatiers had passed away before Christmas , but his presence is still prevalent in the mood of the shop , and it it definitely worth a visit if you go to Whitby.
Another first was a visit to Green's for some excellent fish and chips , recommended by Matt and Craig , but despite the snow filled start the weekend turned out to be excellent , barring the sad loss of Justin a tribute to him is here.
This is really a follow on from the vinyl question I posed yesterday about the nature of music collections. Wreckless Eric and Amy Rigby are playing The Central Bar on 8th March and I thought I'd track down my copy of their album , which I purchased when I was a subscriber to Emusic.I looked at the screen and thought thats how loads of people see their music collections . You will download stuff and maybe never listen to it because it goes onto your portable device and only gets played if the shuffle algorithm includes it.
This set in with the advent of CD which allowed you to skip , program and shuffle discs. Then you got the multi disc sets and eventually you could burn your own with just the tracks you thought you liked.
With vinyl you tended to listen to at least oneside of an album as track skipping meant lifting the needle and moving on to the track you wanted . You could also stack singles and create your own vinyl playlist, but the vinyl always got played all the way through.
You get broadband and 4G operators telling ius we can download a track in seconds . That may be but music is meant to be listened to not downloaded! Many people will have huge digital collections that they have bnever listened to. Below is an Amazon playlist consisting of cheap compilation albums each containing at least 100 tracks each. You can download these in next to no time but 100 tracks is around six hours listening time , that's a quarter of a day.
It seems that music to a lot of people is just something they collect making you wonder why they bother downloading. You see the bluetooth speakers which effectively recreate the transistor radio scenario of the sixties.
The benefit of a vinyl or cassette based set up is that you will listen to the music rather than just store it on a hard disc or a phone. a friend of mine Mike O' Brien asked what will kids today say when you ask them what was your first record? They will probably just gawp.
My first records were Jig-A-Jig by East of Eden on the Deram, label (single) and The Best Of T.Rex on the Fly lable for my album. Enjoy the playlist , and enjoy some real music.
Was just off to bed and this question sprang to mind. Why Vinyl . Audiophiles talk about the warmth missing from digital representations and the personalisation that scratches and worn grooves bring but therein lies my argument. Vinyl is one of the most self destuctive of all media. Once the needle hits the groobve both vinyl an ddiamond / sapphire begin to destroy each other. Dust gathers on the record , heat warps the discs (remember dynaflex? The bane of my Bowie and Lou Reed collections).
Jimmy Page worked out that the optimum length for a vinyl long player was 18 minutes . Gram hold of an original pressing of Led Zeppelin I or II and check that there's no shiny spare vinyl in the label run off.
Vinnyl did enable some interesting tricks. Brian Eno's Great Pretender on Taking Tiger Mountain By Strategy ran into a closed groove that effectively never ended. You don't get that on the CD version. Monty Python had a three sided album because one side consisted of two separate spirals so you never knew what track you would get when you put it on.
Then on Todd Rundgren's Inititiation , the running time of that album clocked around 69 minutes with an instruction to only play with a brand new needle. I bought mine on cassette!
However we have seen a major vinyl revival , recently The Beatles and The Who's Studio Output have been boxed at £300 and £150 respectively , very impressive they are too . Nice to see the covers in their proper size , but it's still vinyl and very expensive. Black Sabbath have also had a box out
I am happy with CD and digital , for convenience sake , but I am also glad that vinyl is here to stay as well - though I wont be part of the buying public for vinyl , well maybe the odd seven incher .....
This Sunday 6Music have a celebration of 50 years of the cassette tape. Check it out here
Casette gave us both convenience and the ability to mess about with songs and sounds. I was a fan of Joe Meek and various experimental artists and spent hours recording to tape , splicing and and making a lot of not very impressive noises , but I enjoyed and learned a lot about the fragility and versatility of the medium.
It's small size meant for the first time you could take your own music with you . Previously the transistor radio was the only portable option.
Cassette was Vinyl's portable , personally recordable counterpart. It's main problem is that , like vinyl, it's a fragile decaying medium. Tape heads got dirty , tapes became unravelled , tangled , twisted . You don't get that with your MP3 player or iPod. However Sony's game changer , the Walkman was a godsend . It meant you could listen to music anywhere , and annoy people anywhere and some Walkmans had radios as well , best of both worlds.
It was briefly superceded by mini disc , another Sony innovation I think , which was eventually overtaken by hard disk players and finally solid state. If 4G becomes ubiquitous we may see the solid state players replaced by stream players , but for that you need a continuous reliable signal, and that is unlikely to happen because there are always places where you are unable to get a signal.
RPM in Newcastle has a stock of vintage music centres , along with cassettes and vinyl to play on them , which is excellent if you have the room and inclination for that.
It's unlikely that I will ever own another cassette player but cassettes certainly provided me with lots of fun , inspiration and convenience in their heyday and ironically the stadard tape length of 90 minutes was almost the same time capacity as a CD.
I was reading Mojo this morning and came across an article detailing an app for iPhone or Android that will give you the address of your local vinyl retailers (records not wallpapers) in the UK , Europe and the USA , apparently in has about 600 outlets listed. You can track down the app on your phone market place and there's more information on their website here.
Now an app for vinyl is to me about as innaproppriate as a chciken
omelette (which I wouldn't turn down) , because your average person who
listens to music on their phone doesnt even know what they are listening
to , because it's on shuffle or it's a Spotify or Last.fm mix channel ,
but it will be useful to people who DO use their phones and are trying
to track down that rare Erasure 12" or Rosebud's 1970s album of Pink
Floyd covered for the disco!!
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